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I was pleased to note here, the re-appearance of Semyon Bychkov, who came to my impressed attention
in the 1980s, but then seemed to disappear from the public eye. Here, he steers his Cologne-based
WDR Sinfonie-Orchester through Ein Heldenleben, and the dark and introspective
Metamorphosen. This is, so far as I am aware, a unique coupling, but a not inappropriate
one, as the final panel of Heldenleben, 'The Hero's Retirement from the World', chimes
naturally with the valedictory message of the Metamorphosen of Strauss's old age.
Bychkov has an impressive orchestra at his command, but we become aware of this more in the many
individual solos than in the tutti sections, where the last touches of sheen, polish and
visceral exuberance are wanting, by comparison. That wonderful opening paragraph
[listen -- track 1, 0:01-1:36], which should
carry all before it, just lacks the final degree of heady opulence and organic coherence. Once
the critics start carping, though [listen -- track 2, 2:17-3:36],
there is some idiomatically disgruntled interplay
to be relished. Praise, too, for the splendid solo violin of Kyoko Shikata
[listen -- track 3, 0:04-1:09]. Perhaps her feminine
gender gives her a more penetrating insight into the personality of 'The Hero's Companion'?
A pity, though, that the brass interjections here are less than perfectly tuned and
sychronised.
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Copyright © 21 October 2003
David Thompson, Eastwood, Essex, UK
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