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Luxury abounds in the addition of the ad-libitum (Ives was always very 'take-it-or-leave-it') solos for viola and flute. They are short and, in some senses, inconsequential but beautifully played and incorporated here [listen -- track 21 'Thoreau', 8:46-10.06]. Ives was, with the sanity of a born nut-case, content to say that it wasn't the pianist's fault that he has only ten fingers just as it was never the fault of the song that it was unsingable.

I think this is a recording destined for benchmark authority. Fifty years after the death, more-or-less thirty more than that since Ives effectively stopped composing. I'm neither sad nor celebratory -- because I simply can't believe it -- and am grateful to live with his music in what science fiction describes as a parallel universe. Leave the difficult debate to the inheritors of H G Wells or Albert Einstein. Time travel, however relative, is available courtesy of Warner Classics and their inimitable artists at a portal or a disc-shop near you!

Copyright © 19 May 2004 David Wilkins, Eastbourne UK

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Ives: Concord Sonata - Songs

2564 60297-2 DDD Stereo NEW RELEASE 79'18" 2004 Warner Classics, Warner Music UK Ltd

Susan Graham, mezzo-soprano; Pierre-Laurent Aimard, piano; Tabea Zimmermann, viola; Emmanuel Pahud, flute

Charles Ives (1874-1954): Songs: The Things our Fathers Loved; The Housatonic at Stockbridge; From the Swimmers; Memories (A - Very Pleasant, B - Rather Sad); Ann Street; Serenity; '1, 2, 3'; Songs my mother taught me; The Circus Band; The Cage; The Indians; Like a Sick Eagle; 'A sound of a distant horn'; September; Soliloquy; A Farewell to Land; Thoreau; Charles Ives: Piano Sonata No 2 'Concord, Mass., 1840-60'

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