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The documentary was also shot in other parts of the Alps, as well as in Vienna, Salzburg, in the UK where Starr travelled to interview Donald Mitchell (London) and Peter Franklin (Oxford). The other interviews were in the United States and some of the nature footage was shot in the Rocky Mountains and in Death Valley, California.

While Starr wants his film to bring the wonders of Mahler's Third Symphony closer to the hearts of a worldwide audience, he does not wish to lecture about its meaning. 'Especially music historians are often reluctant to go in the direction of exploring music's meaning, and for good reason. It is very risky. You don't want to prejudice people to think that this music means specifically this idea or that idea. If I had done this in my film, it would have been a great disservice to Mahler. What I rather tried to do was to illustrate the ideas that Mahler was using to structure the music in the symphony, because it is a rare example of philosophy and music in combination. Ultimately, music is to be interpreted individually by everyone who hears it. More than any other composer, Mahler requires his audience's participation to complete the meaning of the music. That is what I tried to work with and wanted to have unfold in the course of the film.'

The ideas that Mahler deals with in his Third Symphony are deep and significant: the notion that we are all connected and that humans are matter that has become self-aware.

'These are things that we shouldn't just think about and then move on,' says Starr. 'They are things that have great impact on how we treat each other and go about leading our lives. Few composers delve that deeply, I think.'

The film was only recently completed and was released on DVD on 30 March 2004. Currently, negotiations are under way for television broadcast rights in countries all over the world.

Meanwhile, the two DVD set gives great value for money.