|
<< -- 3 -- Robert Anderson HIGHER AUTHORITY
'Anon' may be less significant historically, but musically he (or she) can run with
the fleetest. An enchanting piece has basis in the 'Spagna' dance tune that played
cantus firmus in a multitude of polyphonic flights. Jacob Heringman has devised a
setting for two lutes, using the surviving treble line and fitting the obligatory
'Spagna' ground as bass for the second lute. Much virtuosity is involved
[listen -- track 14, 0:00-1:09].
The same composer is responsible for a frisky Balletto, popular in idiom and designed
to stir the most reluctant foot towards the dance
[listen -- track 23, 0:00-1:33].
Jacob Heringman has an infectious zest for the music, whether learned or fun.
His technical skill guarantees admirable clarity in the midst of complex
counterpoints, and there is a delightful sense of well-being about the performances.
If the 'Siena Book' was indeed copied in that splendid city, it is a graceful domestic
complement to the public music-making of church and state. What influence Heringman may
have on the vegetable kingdom I leave to higher authority.
| 
