Arrigo Boito was born in Padua on 24 February 1842 and died in Milan on 10 June 1918. Poet, librettist and composer, Boito is remembered especially for his libretti to Verdi's last two operas, Otello and Falstaff. He held strong views on music reform and other contentious subjects.
A selection of M&V articles about Arrigo Boito
Ensemble. Challenging, Versatile and Unexpected - Roderic Dunnett visits Hungarian State Opera
Ensemble. Pure Enjoyment - 'Simon Boccanegra' in Turin, reviewed by Giuseppe Pennisi
Ensemble. Extremely Visual - Arrigo Boito's Mefistofele at San Francisco Opera, heard by Maria Nockin
Ensemble. New Tricks? - Giuseppe Pennisi discusses a sexy 'Falstaff' at La Scala
Ensemble. Passionate Acting - Maria Nockin was in the stalls for New York Metropolitan Opera's 'Otello' in HD
Ensemble. Truly Memorable - Opera New Jersey's midsummer concert, reviewed by Gregory Moomjy
Ensemble. Emotional Shifts - Verdi's 'Simon Boccanegra' at Los Angeles Opera, enjoyed by Maria Nockin
CD Spotlight. Comparing Lockets - Giuseppe Verdi's 'Simon Boccanegra', heard by Robert Anderson. '... Boccanegra is sung by Tito Gobbi, notable in any context ...'
CD Spotlight. A Fine Collection - Operatic bass arias sung by William Powers, heard by Paul Sarcich. '... a formidable mixture of operatic styles ...'
Ensemble. Riveting Characterization - Verdi's 'Otello' at Arizona Opera impresses Maria Nockin
Ensemble. For King, Country and Sex - Marco Tutino's 'Senso', experienced by Giuseppe Pennisi
Ensemble. The Devil and the Bourgeoisie - Giuseppe Pennisi listens to Arrigo Boito's 'Mefistofele'
Ensemble. Close to Perfection - Verdi's 'Simon Boccanegra' broadcast from New York Metropolitan Opera, by Maria Nockin
Ensemble. Dramatic and Responsive - Verdi's 'Simon Boccanegra' from Chelsea Opera Group, reviewed by Robert Hugill
Ensemble. A Wonderful Experience - Maria Nockin visits Santa Fe for operas by Verdi, Mozart, Britten and Handel, plus the first American performance of Kaija Saariaho's 'Adriana Mater'
Ensemble. An Unusual Production - Verdi's 'Otello' at Los Angeles Opera, reviewed by Maria Nockin
Provocative thoughts, from Patric Standford - Sacrifice