Giuseppe Verdi's five act grand opera Don Carlo has a French libretto by Joseph Méry and Camille du Locle, but is usually performed in an Italian translation. The libretto is based on Friedrich Schiller's play Don Carlos, Infant von Spanien, and the story is set in France and Spain during the late Renaissance.
The opera received its first performance at the Salle Le Peletier in Paris on 11 March 1867. It exists in a number of different versions, with various cuts and additions, and no other Verdi opera has so many different versions. At full length it is Verdi's longest opera.
A selection of M&V articles about Don Carlo
Ensemble. A Timeless Staging - Giuseppe Pennisi visits Bologna for a very political 'Don Carlo'
CD Spotlight. Hypnotic Beauty - Giuseppe Verdi's 'Don Carlo', heard by Gerald Fenech. '... a performance full of dramatic passion and unbridled commitment that keeps the tension at fever-pitch throughout.'
Ensemble. Visions of Human Suffering - Lyric Verdi, and a great success, but in some ways a 'Don Carlo' of losers at the Maggio Musicale Fiorentino, impresses Giuseppe Pennisi
Ensemble. Born Again - Giuseppe Pennisi visits the revitalised Verdi Festival in Parma for 'Don Carlo'
Ensemble. Musically Exceptional - San Francisco's starry Don Carlo, seen by James Sohre
Ensemble. New Directions - Giuseppe Pennisi reports on Mozart, Verdi and Wagner operas from Salzburg's summer festival
Ensemble. Troubles in Florence - Giuseppe Pennisi was at the opening night of the Maggio Musicale Fiorentino
Ensemble. A Complex Plot - Giuseppe Pennisi was at the opening night of Verdi's 'Don Carlo' in Turin
DVD Spotlight. Dramatic Truth - Giuseppe Verdi's 'Don Carlo', reviewed by Robert Hugill. '... a strong candidate for the library shelves.'
Ensemble. Sheer Brilliance - Rossini's 'William Tell', reviewed by Robert Hugill
Ensemble. Intense Confrontation - Verdi's 'Ernani' - more revolutionary than patriotic, reviewed by Giuseppe Pennisi
Ensemble. To Suit the Voice - Gregory Moomjy takes a sneak peek at the divas and divos of tomorrow, as heard at New York Metropolitan Opera's National Council auditions
Ensemble. Stunning Artistry - New York Metropolitan Opera's Verdi's 'Don Carlo' transmission, seen and heard by Maria Nockin
Ensemble. Great Vitality - Verdi's 'Don Carlo', heard by Robert Hugill
Profile. Important Skills - Maria Nockin talks to American mezzo Dolora Zajick
Ensemble. Truly Memorable - A concert of arias at Arizona Opera impresses Maria Nockin
Ensemble. Deeply Felt - Verdi's 'Don Carlo' at Covent Garden, reviewed by Robert Hugill
A Real Find - Robert Davies made a remarkable impact when he stood in as Papageno late in the run of English Touring Opera's 'The Magic Flute'; Roderic Dunnett profiles him and celebrates the progress of other ETO cast members
Ensemble. A Compelling Portrait - Verdi's 'Don Carlos' impresses Mike Wheeler
Ensemble. A Rare Treat - Verdi's 'Aida' from Prescott, reviewed by Susan Hampton
Ensemble. Thoroughly Enjoyable - An Arizona winter treat of Verdi's 'Aida', enjoyed by Maria Nockin
Ensemble. Highly Intelligent - Verdi's 'Don Carlo', reviewed by Robert Hugill
Musically Thrilling - 'Maria Stuarda' at San Diego Opera, reviewed by Maria Nockin
Ensemble. A Sumptuous Display - Verdi's 'Don Carlo' at LA Opera, appreciated by Maria Nockin
Ensemble. Important Revelations - A gala concert presented by Arizona Opera, reviewed by Maria Nockin
Ensemble. A Must See - Maria Nockin was at Opera Pacific for Verdi's 'Aïda'
DVD Spotlight. Original groupings - Verdi's 'Don Carlo', reviewed by Robert Anderson. 'The chief glory ... is Zeffirelli's staging.'
Ensemble. Verging on London standards - Roderic Dunnett visits Dorset and Stowe Opera for productions of 'Norma' and 'Don Carlo'
Ensemble. A much loved conductor - Bernard Haitink's Farewell Concert at London's Royal Opera, as experienced by Robert Anderson
Hans Hotter in Munich - an occasional addendum to last year's 'Captivating moments', with Juliet Averay