Music and Vision homepage

A selection of M&V 'James Conlon' articles

Ensemble. A Little More Human - Jack Perla's 'Jonah and the Whale', enjoyed by Maria Nockin

Ensemble. Film Noir - 'The Magic Flute' from Berlin's Komische Oper, reviewed by Maria Nockin

Ensemble. A Conductor's Opera - Verdi's 'Falstaff' at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. Deeply Moving - Britten's 'Curlew River' in Rome, experienced by Giuseppe Pennisi

Ensemble. Fatal Obsession - Wagner's 'Flying Dutchman' at Los Angeles Opera, experienced by Maria Nockin

Ensemble. Virile and Robust - Mozart's 'Don Giovanni' at Los Angeles Opera, recommended by Maria Nockin

Ensemble. A Fascinating Show - Verdi's 'I Due Foscari' at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. Quite Different - Britten's 'A Midsummer Night's Dream', reviewed by Giuseppe Pennisi

Ensemble. Comedic Flair - Britten's 'Albert Herring', reviewed by Maria Nockin

Ensemble. Emotional Shifts - Verdi's 'Simon Boccanegra' at Los Angeles Opera, enjoyed by Maria Nockin

Ensemble. Infectious Verve - Los Angeles Opera's 'Così fan tutte', reviewed by Maria Nockin

Ensemble. A fine performance - Tchaikovsky's 'Eugene Onegin' at Los Angeles Opera, enjoyed by Maria Nockin

Ensemble. Asian Aid - Giuseppe Pennisi was at the 2011 Puccini Festival

Ensemble. A Conductor's Opera - A new production of Puccini's 'La bohème' at Rome's Teatro dell'Opera, reviewed by Giuseppe Pennisi

Profile. Humanizing Emotions - American conductor James Conlon talks to Maria Nockin

Ensemble. Surprisingly Believable - Britten's 'The Turn of the Screw' impresses Maria Nockin

Ensemble. Happy Melodies - Rossini's 'Il Turco in Italia' delights Maria Nockin

Ensemble. A Splendid Performance - Gustavo Dudamel and the Los Angeles Philharmonic, heard by Gregory Moomjy

Ensemble. Consummate Virtuosity - Bryn Terfel, Esa-Pekka Salonen and the Los Angeles Philharmonic in Hindemith and Wagner, appreciated by Maria Nockin

Ensemble. A Wonderful Surprise - Los Angeles Opera's 'Rigoletto', enjoyed by Maria Nockin

Ensemble. True Ear Candy - Wagner's 'Lohengrin' at L A Opera, enjoyed by Maria Nockin

Ensemble. A Top-notch Formation - Operas by Zemlinsky and Puccini, reviewed by Giuseppe Pennisi

Ensemble. Authority and Charisma - Wagner's 'Siegfried', reviewed by Maria Nockin

Ensemble. A Gala Atmosphere - Maria Nockin reports from Los Angeles Opera's opening night 'L'Elisir d'amore'

Ensemble. Recovered Voices - Two operas in Los Angeles over the Easter weekend, enjoyed by Maria Nockin

Ensemble. New and Different - 'Rheingold' from Los Angeles, recommended by Maria Nockin

Ensemble. An Absolute Delight - Maria Nockin finds perfection in Los Angeles Opera's revival of Peter Hall's 1993 production of 'The Magic Flute'

Profile. Rich Musical Experiences - American conductor Joel Revzen talks to Maria Nockin

Ensemble. Vocal Radiance - Maria Nockin reports on the beginning of a new season at Los Angeles Opera

Ensemble. A Fitting Celebration - Plácido Domingo's Fortieth Anniversary Gala, reviewed by Maria Nockin

Ensemble. An Unusual Production - Verdi's 'Otello' at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. Radiant Loveliness - 'Tristan and Isolde' at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. Stunning Precision - Janácek's 'Jenufa' in LA, reviewed by Maria Nockin

Ensemble. A Blockbuster Weekend - Beethoven's 'Fidelio' and Verdi's 'Requiem' at Los Angeles Opera, reviewed by Maria Nockin

Ensemble. Distant Sound - LA Opera's 'Recovered Voices', reviewed by Maria Nockin

Ensemble. Lustrous Sounds - Kurt Weill's 'The Rise and Fall of the City of Mahagonny', reviewed by Maria Nockin

DVD Spotlight. Sensuous Lyricism - Stravinsky's 'Le Rossignol', reviewed by Robert Anderson. '... both wondrous and distracting.'

Ensemble. A Sumptuous Display - Verdi's 'Don Carlo' at LA Opera, appreciated by Maria Nockin

Ensemble. Holocaust opera - A powerful, deeply moving performance of Viktor Ullmann's 'The Emperor of Atlantis', reviewed by Lawrence Budmen

On watch at the Van Cliburn Competition - with John Bell Young (continued from Thursday)

-------

 << Music & Vision home                Classical music news >>