A selection of M&V 'La Fenice' articles
Ensemble. Flooding Venice - Giuseppe Pennisi reviews the first performance of Filippo Perocco's opera 'Aquagranda'
Ensemble. An African 'Norma' - Giuseppe Pennisi compares La Fenice's Bellini revival with an earlier production in Naples
Ensemble. Carnival in Venice - Giuseppe Pennisi reviews Hervé's 'Les Chevaliers de la Table Ronde'
Ensemble. Luxuriant Orchestration - Mozart's 'Idomeneo', heard by Giuseppe Pennisi
Ensemble. True Passion - 'Traviata' on the lagoon, by Giuseppe Pennisi
Ensemble. Back in the Lagoon - Giuseppe Pennisi visits La Fenice for Verdi's 'Simon Boccanegra'
Ensemble. Perfect Settings - New Year in Italy, by Giuseppe Pennisi
Ensemble. Feminism and Anti-colonialism - Meyerbeer's L'Africaine, reviewed by Giuseppe Pennisi
Ensemble. A Real Thriller - Makropoulos in the Lagoon, with Giuseppe Pennisi
Ensemble. Intense Confrontation - Verdi's 'Ernani' - more revolutionary than patriotic, reviewed by Giuseppe Pennisi
Ensemble. A Wonderful Surprise - Los Angeles Opera's 'Rigoletto', enjoyed by Maria Nockin
Ensemble. An Icy Reception - Giuseppe Pennisi describes the 2010 Parma Verdi Festival's stormy beginning
Ensemble. Major Delights - 'La traviata' from San Diego Opera, reviewed by Maria Nockin
Ensemble. Seething with Evil - Franz Schreker's 'Die Gezeichneten', reviewed by Giuseppe Pennisi
Ensemble. Very Welcome - The bicentennial 'Simon Boccanegra' in Parma, appreciated by Giuseppe Pennisi
Ensemble. The Devil and the Bourgeoisie - Giuseppe Pennisi listens to Arrigo Boito's 'Mefistofele'
Ensemble. Close to Perfection - Verdi's 'Simon Boccanegra' broadcast from New York Metropolitan Opera, by Maria Nockin
Ensemble. A New Dimension - Giuseppe Pennisi reports that chamber opera is alive and well
Ensemble. Vibrant Life - Verdi's 'Rigoletto' at Arizona Opera, reviewed by Maria Nockin
Artful Phrasing - 'La bohème' at Los Angeles Opera, reviewed by Maria Nockin
Ensemble. A Full-Blooded Rendition - 'La Traviata' from Southern California, reviewed by Susan Hampton
Ensemble. Expansively Romantic - Teatro Lirico d'Europa's 'La Traviata', reviewed by Maria Nockin