English composer Gustav Holst was born in Cheltenham on 21 September 1874 and died in London on 25 May 1934. His eventual friendship with Vaughan Williams and mutual discovery of the delights of English folksong had a strong effect upon them both. Holst's music, varied in style as it is, had a visionary quality in the best that gave it unique character.
A selection of M&V articles about Gustav Holst
Ensemble. Expressive Nuances - Holst, Mozart and Sibelius from Tasmin Little and the European Union Chamber Orchestra, enjoyed by Mike Wheeler
Ensemble. Tension and Restlessness - More Britten, with Finzi and Holst, from Derby Bach Choir, reviewed by Mike Wheeler
Ensemble. A Generous Weekend - The third William Alwyn Festival, attended by Patric Standford
Ensemble. Monumental Effect - Three companies combine forces, experienced by Maria Nockin
CD Spotlight. Inescapably Attentive - British music for piano duo, heard by Howard Smith. '... Mercury emerges with captivating ethereal qualities.'
Ensemble. Mercurial Accounts - The Hallé Orchestra begins celebrating its ten year residency in Nottingham, heard by Mike Wheeler
CD Spotlight. Buxom and Comely? - Music by Gustav Holst, heard by Paul Sarcich. '... music of charm and individuality.'
CD Spotlight. Glorious Singing - A recital by Alice Coote and Graham Johnson, heard by Gerald Fenech. '... interpreted with great zest and passion ...'
Playing Devil's Advocate - Bill Newman tells the story of his visit to London's St John's Smith Square to hear Idil Biret play Beethoven
Ensemble. Powerfully Expressive - Holst, Howells, Finzi and Liszt from the Derwent Singers, reviewed by Mike Wheeler
Ensemble. A Spirited Performance - Mike Wheeler listens to Voices and the Derby Concert Orchestra
Ensemble. Top Class Musicianship - Roderic Dunnett visits Gloucester for the 2010 Three Choirs Festival
CD Spotlight. Mice in the Manger - A selection of Christmas music, enjoyed by George Balcombe. '... an amazing collection.'
Ensemble. Music in the Spacing of the Spheres - A spectacular version of Holst's 'The Planets' in Cleveland, reviewed by Kelly Ferjutz