Latvian conductor Andris Nelsons was born in Riga on 18 November 1978 into a family of musicians. He studied piano as a boy, and sang in his mother's early music ensemble. He took up the trumpet when he was twelve, and worked as a trumpeter for Latvian National Opera.
He studied conducting in St Petersburg with Alexander Titov and also took part in masterclasses run by Neeme Järvi and Jorma Panula.
He was principal conductor of Latvian National Opera from 2003-7, and chief conductor of Nordwestdeutsche Philharmonie (Herford, Germany) from 2006-9. In 2009 he first appeared at New York Metropolitan Opera, conducting Turandot, and at Bayreuth in 2010 conducting Lohengrin. In 2011 he made his debut with the Boston Symphony Orchestra at Carnegie Hall.
From 2007 until 2015 he was principal conductor and music director of the City of Birmingham Symphony Orchestra.
A selection of M&V articles about Andris Nelsons
Ensemble. Intrigue, Amusement and Confusion - Keith Bramich is impressed by Covent Garden's new production of Wagner's 'Lohengrin'
Ensemble. Harmonious in Every Sense - Alice McVeigh explains why 'Der Rosenkavalier' at Covent Garden couldn't have been bettered in any department
Ensemble. Bursting with Vitality - Mendelssohn and Beethoven from the City of Birmingham Symphony Orchestra thrilled Mike Wheeler
CD Spotlight. Powerful Drama - Puccini's 'Suor Angelica', heard by Robert Anderson. '... Nelsons and the WDR Symphony Orchestra of Cologne have done their best for Puccini ...'
CD Spotlight. Fiery Impetuosity - Tchaikovsky orchestral music, heard by Robert Anderson. '... a powerful and committed performance ...'
Ensemble. Sharply Etched - Mozart and Shostakovich from the City of Birmingham Symphony Orchestra, reviewed by Mike Wheeler
Ensemble. Mahler versus Mahler - Giuseppe Pennisi listens to Antonio Pappano and the Accademia Nazionale di Santa Cecilia
Ensemble. Something Magical - Andris Nelsons conducts the City of Birmingham Symphony Orchestra, heard by Mike Wheeler
Record box. Enviable craftsmanship - 21st century Latvian symphonic music, reviewed by Patric Standford