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A selection of M&V 'Felice Romani' articles

Ensemble. Sorrows of Young Rossini - Giuseppe Pennisi sends a second report from the 2014 Rossini Opera Festival

Ensemble. Opulent Tone - Anna Netrebko in Donizetti's 'L'elisir d'amore' live in HD from New York, reviewed by Maria Nockin

Ensemble. A Fine Representation - Donizetti's 'Anna Bolena' at New York Metropolitan Opera, enjoyed by Maria Nockin

Ensemble. Stunning Musical Performance - Donizetti's 'Lucrezia Borgia', reviewed by Robert Hugill

Ensemble. Drama and Comedy - British humour under the Neapolitan sun, in 'L'Elisir d'Amore' in Rome and San Francisco, by Giuseppe Pennisi

Ensemble. Superb from the word 'go' - Donizetti's last Tudor Queen returns to Rome, and Carmela Remigio enchants Giuseppe Pennisi

Ensemble. A Hyperrealistic Setting - Robert Hugill has some reservations about Jonathan Miller's 'L'elisir d'amore'

Ensemble. The Quality of the Cooks - Verdi comic operas on stage, tasted by Giuseppe Pennisi

Ensemble. A Gala Atmosphere - Maria Nockin reports from Los Angeles Opera's opening night 'L'Elisir d'amore'

DVD Spotlight. Gripping Throughout - Donizetti's 'Lucrezia Borgia', recommended by Gerald Fenech. 'Dimitra Theodossiou's Lucrezia rivals that of many of her illustrious predecessors ...'

Ensemble. A Notable Success - Grange Park Opera's 'Norma', reviewed by Robert Hugill

Ensemble. A Musical Gem - Donizetti's 'L'elisir d'amore', enjoyed by Maria Nockin

Ensemble. Magical eloquence - The first night of Palm Beach Opera's revival of Bellini's 'Norma' provides a night to remember for Lawrence Budmen

Ensemble. A Masterly Account - Donizetti's 'Parisina d'Este', heard by Robert Hugill

Ensemble. Brilliantly Realised - Bellini's 'I Capuleti e i Montecchi', heard by Mike Wheeler

Ensemble. Profoundly Satisfying - Donizetti's 'Anna Bolena' from English Touring Opera, reviewed by Robert Hugill

Ensemble. Highly Dramatic - Nelly Miricioiu in Bellini's 'Beatrice di Tenda', reviewed by Robert Hugill

Ensemble. Inner warmth - Bellini's 'Norma' in Denver, appreciated by Maria Nockin

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