Founded in 1995, this British independent CD label aims to share the joy of classical music and the delight of discovering fresh repertoire. Somm Recordings has an unusual catalgoue of choral music and song, and is working with its artists to uncover new corners of the repertoire in a variety of genres, styles and periods.
Further information: www.somm-recordings.com
A selection of M&V articles about Somm Recordings
CD Spotlight. Versatility and Imagination - Choral music by Richard Rodney Bennett, appreciated by Gerald Fenech. 'Paul Spicer and his choristers give eloquent performances, full of precise details and expressive energy, and in their hands Bennett's imaginative prowess is brought to life with intense clarity.'
CD Spotlight. Spiritual Fervour - Music by Elgar for chorus and orchestra, recommended by Gerald Fenech. 'Highly enjoyable Elgar superbly recorded and performed.'
CD Spotlight. Divisive and Enigmatic - Piano music by Stravinsky, heard by Gerald Fenech. 'Peter Donohoe has always been an ardent admirer of the composer, and these interpretations reveal this sincere attachment.'
CD Spotlight. Highly Interesting - British music for cello and piano, enthralls Gerald Fenech. 'An important addition to the genre's discography in excellent performances, sound and annotations ...'
CD Spotlight. Varied Indeed - Music for military band and chorus, enjoyed by Gerald Fenech. '... some great off-the-beaten track items that deserve to be heard more often.'
Ensemble. A view from the pit - John Joubert's 'Jane Eyre', praised by Alice McVeigh
CD Spotlight. Sure to Please - John McCabe plays Edvard Grieg, warmly recommended by Ron Bierman. 'McCabe gets to the heart of these relatively unfamiliar pieces ...'
CD Spotlight. A Fascinating Recording - John Joubert's string quartets, heard by Alice McVeigh. 'The Brodskys throw themselves into the lament for Shostakovich ...'
CD Spotlight. Pride of Place - Piano music by Frank Bridge, praised by Howard Smith. 'A standing ovation for Mark Bebbington ...'
Profile. Tête-à-Tête - Bill Newman talks to British pianist Mark Bebbington