Carl Maria von Weber
On 18 (or possibly 19) November 1786 at Eutin, near Lübeck, was born the German composer and critic Carl Maria von Weber. His industrious life was sadly shortened by tuberculosis, but not before several operas were written and produced, of which Der Freischütz was an enormous success. He was much involved in almost every aspect of opera administration. Covent Garden commissioned Oberon, for which Weber came to London in 1826 to direct rehearsals, but shortly after the première he died (on 5 June), and it was Wagner who arranged for his body to be brought back to Germany.
A selection of M&V articles about Carl Maria von Weber
Ever Responsive - Two recitals by Alberto Portugheis impress Malcolm Miller
CD Spotlight. Vibrant Music - Mendelssohn Trio and Sonatas, heard by Robert Anderson. '... ready skill and deft handling ...'
Ensemble. Deeply Expressive - Mahler, Weber and Strauss at Derby Cathedral, heard by Mike Wheeler
Ensemble. Great Sensitivity - The Vienna Tonkünstler Orchestra, heard by Mike Wheeler
Ensemble. Sensitive and Vivid - Laura Isaacson and Patricia Capone, heard by Mary Isaac
Ensemble. An Epic Opera - Rossini's 'William Tell', from Rome to the BBC Proms, by Giuseppe Pennisi
Ensemble. Pilgrimages of the Soul - Giuseppe Pennisi visits Italy's Sagra Musicale Umbra
Ensemble. Atmosphere is Everything - Weber's 'Der Freischütz', reviewed by Robert Hugill
Ensemble. Beautifully Expressive - The Isolani Quartet, heard by Mike Wheeler
Ensemble. Wilfully Distorted - Petrenko conducts the RLPO, reviewed by Mike Wheeler
Bizarre Perception - Alistair Hinton discusses a recent article on English music by David Hamilton
Highly Articulate - American dramatic soprano Christine Brewer talks to Robert Hugill
Ensemble. Sing ye to the Lord - Roderic Dunnett was at the 2009 Hereford Three Choirs Festival
A Real Find - Robert Davies made a remarkable impact when he stood in as Papageno late in the run of English Touring Opera's 'The Magic Flute'; Roderic Dunnett profiles him and celebrates the progress of other ETO cast members
Ensemble. A Magisterial Presence - William Christie conducts Purcell's 'The Fairy Queen', reviewed by Robert Hugill
CD Spotlight. Fire and Magic - Richard Stoltzman's 'Phoenix in Flight', recommended by Malcolm Tattersall. '... meltingly beautiful ...'
Ensemble. Powerfully Sonorous - Fauré, Bliss, Brahms and Weber played by the Frith Piano Quartet, and reviewed by Mike Wheeler
Ensemble. Nicely Judged - Beethoven, Stravinsky and Weber from The Hallé Orchestra impresses Mike Wheeler
Old and New Worlds - Ioana Osoianu talks to Keith Bramich about her life in the East and West
CD Spotlight. Melodic Impact - Music by Spohr, Rolla and Kalliwoda, reviewed by Howard Smith. '... seasoned insights and faultless empathy.'
Record Box. Great Entertainment - Stokowski conducts ballet music, heard by Patric Standford
Ensemble. Playfulness and Spirit - Mike Wheeler joins the Hallé Orchestra's 150th birthday celebrations
Ensemble. A Memorable Concert - Chloë Hanslip, Slatkin and the RPO, reviewed by Malcolm Miller
Searing Intensity - Gillian Wills talks to conductor Sebastian Lang-Lessing in the context of the recent Mendelssohn Festival in Hobart, Tasmania
Ensemble. Colourful Renditions - Recitals by Denitsa Laffchieva and Evelina Puzaite, reviewed by Bill Newman
Ensemble. New Light - A performance by Christian Knapp and the Royal Liverpool Philharmonic Orchestra, reviewed by Mike Wheeler
Record Box. Lions and Lionesses - Romantic music for piano and orchestra, reviewed by George Balcombe
Ensemble. Style and concept - Two young pianists of outstanding promise, by Bill Newman
CD Spotlight. Fundamental spirit - The Pergamenschikow-Gililov recordings 1990-1994, appreciated by Tess Crebbin. '... fresh and invigorating ...'
Listening with baroque ears - Robert Hugill investigates the world of collaborative opera
Ensemble. Unalloyed genius - Glyndebourne's recent 'Euryanthe' is fêted by Roderic Dunnett
Planning your collection - Global Fascinations and Sophistications - Emma Johnson; Martinu string quartets, with Bill Newman