The English composer William Walton was born in Lancashire on 29 March 1902 and died on Ischia in the Bay of Naples on 8 March 1983. He studied with his father and at Oxford, but was otherwise self-taught. His music for Façade accompanied Edith Sitwell's recited poems. Later significant works are Belshazzar's Feast, the opera Troilus and Cressida and two symphonies.
A selection of M&V articles about William Walton
Ensemble. Deeply Satisfying - John Wilson conducts the CBSO, heard by Mike Wheeler
CD Spotlight. An Unqualified Winner - Christmas music from Voces 8, recommended by Howard Smith. '... breathtaking clarity.'
An Invaluable Book - Gergely Hubai's 'Torn Music: Rejected film scores, a selected history', recommended by Patric Standford
Ensemble. The Finest of Them All - The 2012 Hereford Three Choirs Festival, reviewed by Roderic Dunnett
Ensemble. Strength of Purpose - Nicholas Collon conducts Sinfonia Viva, heard by Mike Wheeler
CD Spotlight. Seductive Lyricism - Walton and Barber Violin Concertos, heard by Robert Anderson. 'Bowes is wonderfully convincing on all counts.'
CD Spotlight. A Hint of Bitters - Music by William Ferris, heard by Howard Smith. 'Well worth investigating.'
Ensemble. A Great Occasion - The Derby Roundhouse debut as a concert hall, described by Mike Wheeler
Ensemble. Beautifully Realised - Haydn, Poulenc, Szymanowski and Walton, sung by Derby Bach Choir and the girl choristers of Derby Cathedral, heard by Mike Wheeler
Ensemble. Beautifully Expressive - The Isolani Quartet, heard by Mike Wheeler
Ensemble. Crystalline Lightness - A Symphony of the Americas concert, reviewed by Lawrence Budmen
Effectively Projected - York Minster's Robert Sharpe plays the organ at Derby Cathedral, reviewed by Mike Wheeler
Ensemble. Elegance and Authority - Leila Josefowicz and the Bournemouth Symphony Orchestra in Nottingham, reviewed by Mike Wheeler
A Stressful Collaboration - Gerard Schurmann describes his involvement with the music score for 'Lawrence of Arabia'
Ensemble. Heart-rending beauty - Concertos by Elgar and Kopytman, reviewed by Malcolm Miller