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In your writing you've explained very well how music has changed over the years. But what of the future?

'I think the future of music will go on getting more amorphous. This includes the classical music I was brought up on, jazz I think is very very important, being an improvised, originally black music, which none the less attains extraordinary levels of subtlety, and then there are various kinds of pop music which of course have now taken over: music means popular music. And we are called "classical", if mentioned at all. But that is simply what has happened. There's good, bad and indifferent in all these genres. And I have tried, through my life, to decide what I think are the things that matter.

Wilfrid Mellers at home in York. Photo © 2004 Keith Bramich
Wilfrid Mellers at home in York. Photo © 2004 Keith Bramich

'Seven tenths -- I won't say nine -- but a very considerable portion of the music that gets accepted -- is probably not the music that is going to survive. But, OK. Take a larger view. I don't think it matters. "God" will sort it out. And this has always been the case. Even in Beethoven's day. You see, truth wins through.'

Copyright © 26 April 2004 Keith Bramich, Worcestershire UK

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Mellers at 90Very many happy returns, Professor Mellers, from all at Music & Vision, and thank you for all your writing.

This interview ends our Wilfrid Mellers weekend, which also featured articles about Mellers by Peter Dickinson and Gordon Rumson.

If you want to read Mellers' own writings about music, then there are many articles here at M&V.

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