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A selection of M&V 'Figaro' articles

Ensemble. Orchestral Nuances - Thanks to a sparkling 'Barber of Seville', Giuseppe Pennisi rediscovers the beauty of Rossini's orchestration

Ensemble. Beautifully Phrased - Los Angeles Opera's 'The Marriage of Figaro', welcomed by Maria Nockin

Ensemble. Limpid Clarity - 'The Barber of Baghdad' by Peter Cornelius, experienced by Mike Wheeler

Ensemble. Sovereign Quality - Aidan Lang's 'The Marriage of Figaro', recommended by Howard Smith

Ask Alice - 'The Marriage of Figaro' in Washington DC, reviewed by classical music agony aunt Alice McVeigh

Ensemble. Hilariously Funny - Arizona Opera's 'The Barber of Seville', appreciated by Maria Nockin

Ensemble. Excellent Singing - Handel and Rossini from Los Angeles Opera impress Maria Nockin

A Real Find - Robert Davies made a remarkable impact when he stood in as Papageno late in the run of English Touring Opera's 'The Magic Flute'; Roderic Dunnett profiles him and celebrates the progress of other ETO cast members

Ensemble. Rollicking Action - Mozart's 'Marriage of Figaro' in Cleveland, enjoyed by Kelly Ferjutz

Ensemble. A Magnetic Presence - Mozart's 'Figaro' at San Diego Opera, reviewed by Maria Nockin

Beethoven's Supremacy - The 2007 Beethoven Junior Intercollegiate Piano Competition, reviewed by Julian Jacobson

Ensemble. Incisive Musicianship - 'The Marriage of Figaro' in Arizona, enjoyed by Maria Nockin

Ensemble. A Modern Style - Pimlico Opera's 'The Barber of Seville', reviewed by Robert Hugill

Ensemble. Important Revelations - A gala concert presented by Arizona Opera, reviewed by Maria Nockin

Ensemble. Accomplished Stagecraft - 'The Barber of Seville' at San Diego Opera, reviewed by Maria Nockin

Ensemble. Vivid form - 'Il Barbiere di Siviglia' at Covent Garden, reviewed by Robert Hugill

Ensemble. A much loved conductor - Bernard Haitink's Farewell Concert at London's Royal Opera, as experienced by Robert Anderson


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