Save Percussion Theater - Aiyun Huang and Friends - Alvarez, Aperghis, Drouet, Globokar and Kagel
mode 242
NTSC DVD 16:9 color region 0 96/24-bit hi-definition
Dolby Digital 5.1 Surround / DTS 5.1 Surround / 2.0 Dolby Stereo
NEW RELEASE
Playing time: 128'
Chapters: 8
Booklet pages: 8
Received: 10 July 2012
Watch and listen: Mauricio Kagel: Dressur (title 5 chapter 1, 0:20-1:17)
Georges Aperghis (born 1945):
Les guetteurs de sons (1981)
Diego Espinosa, Aiyun Huang, Sandra Joseph
Le corps à corps (1978-9)
Aiyun Huang
Mauricio Kagel (1931-2008):
Dressur (1977)
Ben Duinker, Eric Derr and Parker Bert
L'art bruit: solo for two (1995)
Aiyun Huang, Diego Espinosa (assistant)
Vinko Globokar (born 1934):
Toucher (1973)
Aiyun Huang
6 ?Corporel (1985)
Aiyun Huang
Bonus tracks:
Javier Alvarez (born 1956):
7 Temazcal (1984)
Aiyun Huang
Jean-Pierre Drouet (born 1935):
8 Variations sur un texte de Victor Hugo (1991)
Aiyun Huang, Shawn Mativetsky, Fernando Rocha, Sandra Joseph
Aiyun Huang’s unique recital, Save Percussion Theater, is a video-recording of theater music for percussion dedicated to the pioneering work of the Parisian group 'Trio Le Cercle', for whom many of these works written and by whom they have been championed. This recording, in essence a document of the complete percussion works from the French school of theater music, is an ambitious undertaking. Here the camera replaces the eye of an audience member, and the microphone his or her ear, yet with the sense of being there, in the theater.
These are 'French pieces' - mostly written by non-French composers whose most important work took place in Paris in the 1970s and 1980s. The cultural friction between immigrant artists and a French culture that embraced them without completely welcoming them is apparent with every note. This is the music of outsiders with a story to tell, where questions of belonging, control, and place are central.
Many of these works are renowned in the percussion repertoire, but their combination of theater, voice and percussion makes little sense as strictly audio recordings. The visual aspect is essential to their experience. All receive their first commercial video release performed by percussionist Aiyun Huang – who studied with members of Trio Le Cercle – giving authoritative performances of these works for solo through quartet.
There are very few recordings of the early works Quartet and Trio.
This is the first time these works have been collected together, and the first time any have been commercially released with video. Each work is given a unique look by directors Hans Fjellstad and Anton Cabaleiro.
|
|
|