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A selection of M&V 'audience' articles

Ensemble. Strong Performances - Donizetti's 'Don Pasquale', reviewed by Robert Hugill

Ensemble. Unusual and Different - Tan Dun's 'The Banquet', reviewed by Giuseppe Pennisi

Ensemble. Shining Beauty - The current Italian season of Mozart's 'Idomeneo', reviewed by Giuseppe Pennisi

Ensemble. A Fine Performance - Verdi's 'Nabucco' from San Diego Opera, enjoyed by Maria Nockin

Ensemble. A Perfect Falstaff - Giuseppe Pennisi visits the Vienna State Opera

Ensemble. Fine Drama - Chelsea Opera Group's 'La Traviata', reviewed by Robert Hugill

Ensemble. Splendidly Imaginative - Julian Jacobson and Meng Yang Pan celebrate Valentine's Day and Chinese New Year, enjoyed by Mary Isaac

Ensemble. In Full Voice - Britten's 'St Nicolas' at Canterbury Cathedral, enjoyed by Pippa Hare

Ensemble. A Bombshell - Carmen at the movies, by Maria Nockin

Ensemble. Meticulously Explored - Bellini's 'La Somnambula' provides a long-awaited answer to an age-old question, as experienced by Gregory Moomjy

Ensemble. A Double Farewell - Henze and Mahler in Rome, reported by Giuseppe Pennisi

Ensemble. A Thrilling New Option - 'Il Trovatore' from Barcelona, experienced in Arizona by Maria Nockin

Ensemble. Alive and Well - Giuseppe Pennisi experiences Zeffirelli's latest 'La traviata'

Ensemble. A New Dimension - Giuseppe Pennisi reports that chamber opera is alive and well

Ensemble. A False Start - 'Carmen' at La Scala, reviewed by Giuseppe Pennisi

CD Spotlight. Insistent Patterns - Music by Yuanlin Chen, recommended by Ron Bierman. '... marvelous textures ...'

Ensemble. Excellent Singing - Handel and Rossini from Los Angeles Opera impress Maria Nockin

Ensemble. Discoveries Ahead - Malcolm Miller samples 'The World of Jewish Music' in London

Ensemble. Particularly Effective - Mozart's 'Così fan tutte', heard by Mike Wheeler

Ensemble. A Sizzling Rendition - 'Carmen' from Phoenix Opera impresses Maria Nockin

Ensemble. Robust Voices - Susan Hampton visits Boston for Puccini's 'La bohème'

CD Spotlight. The Gamba Problem - Music by J S Bach, heard by George Balcombe. '... a number of oddities ...'

Ensemble. Strong Performances - Handel's 'Susanna' from Les Arts Florissants, assessed by Robert Hugill

Ensemble. A Fine Rendition - 'Così fan tutte' at Arizona Opera, reviewed by Maria Nockin

Ensemble. A Standout Production - New Zealand Opera's 'Eugene Onegin' impresses Howard Smith

CD Spotlight. Brilliantly Portrayed - Friedrich Klose's 'Ilsebill', praised by Gerald Fenech. '... a risky yet rewarding adventure ...'

Ensemble. A Different Rendition - Puccini's 'Tosca' on the big screen, reviewed by Maria Nockin

Ensemble. Brisk Ebullience - Lawrence Budmen sends a second report from this summer's Tanglewood Festival

Ensemble. A Classy Show - Pimlico Opera's 'Rigoletto', reviewed by Robert Hugill

Ensemble. Powerful Stuff - Howard Smith was at the last Vector Wellington Orchestra programme engineered by Christine Pearce

Thank You Mama - Bill Newman talks to pianist Igor Tchetuev

Ensemble. The Boys - Bill Newman was at Nettle and Markham's thirtieth anniversary recital

Ardent Charms - Bill Newman reviews two recitals by pianist Igor Tchetuev

Ensemble. Especially Successful - Gillian Wills reports from the Australian Fesival of Chamber Music

Ensemble. Suite Brolga - Music of David Salisbury at the 2009 Australian Festival of Chamber Music, reported by Malcolm Tattersall

Cumulative Weight - Mike Wheeler listens to Peter Williams at the organ of Derby Cathedral

Ensemble. Buoyant and Fresh - André Messager's 'Véronique' delights Mike Wheeler

Ensemble. Elemental Music - Malcolm Miller listens to music-theatre works by Harrison Birtwistle

Ensemble. An Immensely Successful Event - Thomas Bielinski reports from the West Cork Chamber Music Festival 2009

CD Spotlight. Creative Fire - Larry Sitsky's 'The Way of the Seeker', heard by Gordon Rumson. '... an outstanding artistic achievement ...'

Ensemble. Wholly Captivating - Rossini's 'Italian Girl in Algiers' impresses Howard Smith

Ensemble. Unique Sonorities - Britten's Peter Grimes, heard by Maria Nockin

Ensemble. Sheer Exuberance - Elizabeth Watts and Derby Choral Union, reviewed by Mike Wheeler

Ensemble. A Near-perfect Occasion - Alice McVeigh braves the snow to listen to Fretwork at London's Wigmore Hall

Ensemble. A Wonderful Sound - Mozart's Requiem at Canterbury Cathedral, praised by Pippa Hare

Ensemble. Gloriously Colourful - The British Society of Music Therapy looks back, with Margaret Campbell

Opposing Strengths - Beethoven and his music, by Margaret Willson

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