A selection of M&V 'baritone' articles
Ensemble. Intense Confrontation - Verdi's 'Ernani' - more revolutionary than patriotic, reviewed by Giuseppe Pennisi
Ensemble. Remarkable Development - Quilter songs from Trevor Alexander and Peter Crockford impress Malcolm Miller
Ensemble. Finely Balanced - Mike Wheeler listens to Derby Choral Union
Ensemble. A Great Occasion - The Derby Roundhouse debut as a concert hall, described by Mike Wheeler
Ensemble. A Tad More Sensual - Simon Keenlyside sings Don Giovanni with the Cleveland Orchestra, appreciated by Kelly Ferjutz
Ensemble. Riveting Characterization - Verdi's 'Otello' at Arizona Opera impresses Maria Nockin
Ensemble. Simple and Effective - A new production of Verdi's 'Nabucco' celebrates the 150th anniversary of Italy's Unification, reviewed by Giuseppe Pennisi
Ensemble. Happy Melodies - Rossini's 'Il Turco in Italia' delights Maria Nockin
Ensemble. A Smooth Delivery - Maria Nockin was at San Diego for Puccini's 'Turandot'
Ensemble. For King, Country and Sex - Marco Tutino's 'Senso', experienced by Giuseppe Pennisi
Ensemble. A High-level Production - 'The Merry Widow', heard by Giuseppe Pennisi
Ensemble. Real Spirit - A Christmas offering from Derby Choral Union, heard by Mike Wheeler
Ensemble. Brisk and Powerful - 'Carmen' in Tucson, enjoyed by Maria Nockin
Ensemble. Great Vitality - Verdi's 'Don Carlo', heard by Robert Hugill
Ensemble. Growing Up - Hans Werner Henze's 'Pollicino' thrills children and adults in Florence, by Giuseppe Pennisi
Ensemble. An Epic Opera - Rossini's 'William Tell', from Rome to the BBC Proms, by Giuseppe Pennisi
Ensemble. Strongly Musical - Handel's 'Radamisto' at the London Coliseum, reviewed by Robert Hugill
Ensemble. Artistic Magic - Seraphic Fire's Rachmaninov Vespers, reviewed by Lawrence Budmen
Ensemble. Superb from the word 'go' - Donizetti's last Tudor Queen returns to Rome, and Carmela Remigio enchants Giuseppe Pennisi
Ensemble. Beautifully Phrased - Los Angeles Opera's 'The Marriage of Figaro', welcomed by Maria Nockin
CD Spotlight. Impeccable - Music by Szymanowski, Webern and Schoeck, recommended by Ron Bierman. 'The quartet plays with authority throughout ...'
Ensemble. Unmitigated Fun - Covent Garden at the cinema, experienced by Maria Nockin
CD Spotlight. Wonderfully Melodious - Richard Strauss operatic scenes, heard by Maria Nockin. '... an iridescent wave of vocal color.'
Ensemble. Spirited Performances - Santa Fe Opera's 'The Magic Flute' impresses Maria Nockin
Ensemble. Truly Fascinating - A Santa Fe Opera digest, including the recent Kaye Edition of 'The Tales of Hoffmann', by Maria Nockin
CD Spotlight. Gentle Passions - Music by John Jeffreys, heard by Patric Standford. '... beautifully paced ...'
Ensemble. Special Praise - Bizet's 'Carmen' at Kentish Opera, enjoyed by Pippa Hare
Ensemble. Total Confidence - Sinfonia Viva's summer schools project, 'Floratorio', reviewed by Mike Wheeler
Ensemble. A Top-notch Formation - Operas by Zemlinsky and Puccini, reviewed by Giuseppe Pennisi
Thoroughly Impressed - Maria Nockin talks to baritone Alan Opie, who is about to sing Germont for San Diego Opera
Ensemble. A New Path - Music by Oliver Rudland, heard by Robert Anderson
Ensemble. Boldly Programmed - Music by Antonín Tucapský, Petr Eben and Vaughan Williams, heard by Mike Wheeler
Ensemble. Truly Memorable - A concert of arias at Arizona Opera impresses Maria Nockin
Ensemble. Human Nature - A staged 'Così fan tutte' at Severance Hall in Cleveland, enjoyed by Kelly Ferjutz
Ensemble. A Fine Performance - Verdi's 'Nabucco' from San Diego Opera, enjoyed by Maria Nockin
Ensemble. A Bombshell - Carmen at the movies, by Maria Nockin
Ensemble. A Double Farewell - Henze and Mahler in Rome, reported by Giuseppe Pennisi
Ensemble. A Thrilling New Option - 'Il Trovatore' from Barcelona, experienced in Arizona by Maria Nockin
Ensemble. A New Dimension - Giuseppe Pennisi reports that chamber opera is alive and well
Ensemble. Excellent Singing - Handel and Rossini from Los Angeles Opera impress Maria Nockin
Ensemble. Much Praise - 'Orpheus in the Underworld' from Kentish Opera, reviewed by Pippa Hare
Ensemble. A Sizzling Rendition - 'Carmen' from Phoenix Opera impresses Maria Nockin
CD Spotlight. Thoroughly Intelligent - Schumann and Beethoven songs, reviewed by Robert Anderson. '... he is undoubtedly more comfortable in his baritone register.'
Ensemble. Robust Voices - Susan Hampton visits Boston for Puccini's 'La bohème'
Ensemble. A Fine Rendition - 'Così fan tutte' at Arizona Opera, reviewed by Maria Nockin
Ensemble. A Classy Show - Pimlico Opera's 'Rigoletto', reviewed by Robert Hugill
Ensemble. A Gala Atmosphere - Maria Nockin reports from Los Angeles Opera's opening night 'L'Elisir d'amore'
CD Spotlight. Imaginative and Challenging - Music by Philip Wilby, heard by Patric Standford. 'Nothing stands still for long ...'
Ensemble. Tonal Luxuriance - Lawrence Budmen reports from Tanglewood 2009
Ensemble. A Magical Week - Maria Nockin reports from Santa Fe
Ensemble. Especially Successful - Gillian Wills reports from the Australian Fesival of Chamber Music
Ensemble. Thought-provoking - Music by Harle and Maxwell Davies, heard by Malcolm Miller
Ensemble. Truly Enjoyable - Maria Nockin was at Los Angeles Opera's 'La Traviata'
Ensemble. Lightness and Transparency - New World Symphony, the American orchestral academy, ends its season with an all-Tchaikovsky programme, reported by Lawrence Budmen
Ensemble. A Rare Treat - Verdi's 'Aida' from Prescott, reviewed by Susan Hampton
Ensemble. A Musical Gem - Donizetti's 'L'elisir d'amore', enjoyed by Maria Nockin
Ensemble. Shining Confidence - Derby Cathedral Choir's performance of Handel's 'Messiah' invigorates Mike Wheeler
CD Spotlight. Refreshingly Innovative - Music by John Beckwith, reviewed by Natalie Artemas-Polak. '... an important voice in Canadian music ...'
Many happy returns - Tess Crebbin pays tribute to German baritone Dietrich Fischer-Dieskau, eighty today