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A selection of M&V 'baritone' articles

Ensemble. Intense Confrontation - Verdi's 'Ernani' - more revolutionary than patriotic, reviewed by Giuseppe Pennisi

Ensemble. Remarkable Development - Quilter songs from Trevor Alexander and Peter Crockford impress Malcolm Miller

Ensemble. Finely Balanced - Mike Wheeler listens to Derby Choral Union

Ensemble. A Great Occasion - The Derby Roundhouse debut as a concert hall, described by Mike Wheeler

Ensemble. A Tad More Sensual - Simon Keenlyside sings Don Giovanni with the Cleveland Orchestra, appreciated by Kelly Ferjutz

Ensemble. Riveting Characterization - Verdi's 'Otello' at Arizona Opera impresses Maria Nockin

Ensemble. Simple and Effective - A new production of Verdi's 'Nabucco' celebrates the 150th anniversary of Italy's Unification, reviewed by Giuseppe Pennisi

Ensemble. Happy Melodies - Rossini's 'Il Turco in Italia' delights Maria Nockin

Ensemble. A Smooth Delivery - Maria Nockin was at San Diego for Puccini's 'Turandot'

Ensemble. For King, Country and Sex - Marco Tutino's 'Senso', experienced by Giuseppe Pennisi

Ensemble. A High-level Production - 'The Merry Widow', heard by Giuseppe Pennisi

Ensemble. Real Spirit - A Christmas offering from Derby Choral Union, heard by Mike Wheeler

Ensemble. Brisk and Powerful - 'Carmen' in Tucson, enjoyed by Maria Nockin

Ensemble. Great Vitality - Verdi's 'Don Carlo', heard by Robert Hugill

Ensemble. Growing Up - Hans Werner Henze's 'Pollicino' thrills children and adults in Florence, by Giuseppe Pennisi

Ensemble. An Epic Opera - Rossini's 'William Tell', from Rome to the BBC Proms, by Giuseppe Pennisi

Ensemble. Strongly Musical - Handel's 'Radamisto' at the London Coliseum, reviewed by Robert Hugill

Ensemble. Artistic Magic - Seraphic Fire's Rachmaninov Vespers, reviewed by Lawrence Budmen

Ensemble. Superb from the word 'go' - Donizetti's last Tudor Queen returns to Rome, and Carmela Remigio enchants Giuseppe Pennisi

Ensemble. Beautifully Phrased - Los Angeles Opera's 'The Marriage of Figaro', welcomed by Maria Nockin

CD Spotlight. Impeccable - Music by Szymanowski, Webern and Schoeck, recommended by Ron Bierman. 'The quartet plays with authority throughout ...'

Ensemble. Unmitigated Fun - Covent Garden at the cinema, experienced by Maria Nockin

CD Spotlight. Wonderfully Melodious - Richard Strauss operatic scenes, heard by Maria Nockin. '... an iridescent wave of vocal color.'

Ensemble. Spirited Performances - Santa Fe Opera's 'The Magic Flute' impresses Maria Nockin

Ensemble. Truly Fascinating - A Santa Fe Opera digest, including the recent Kaye Edition of 'The Tales of Hoffmann', by Maria Nockin

CD Spotlight. Gentle Passions - Music by John Jeffreys, heard by Patric Standford. '... beautifully paced ...'

Ensemble. Special Praise - Bizet's 'Carmen' at Kentish Opera, enjoyed by Pippa Hare

Ensemble. Total Confidence - Sinfonia Viva's summer schools project, 'Floratorio', reviewed by Mike Wheeler

Ensemble. A Top-notch Formation - Operas by Zemlinsky and Puccini, reviewed by Giuseppe Pennisi

Thoroughly Impressed - Maria Nockin talks to baritone Alan Opie, who is about to sing Germont for San Diego Opera

Ensemble. A New Path - Music by Oliver Rudland, heard by Robert Anderson

Ensemble. Boldly Programmed - Music by Antonín Tucapský, Petr Eben and Vaughan Williams, heard by Mike Wheeler

Ensemble. Truly Memorable - A concert of arias at Arizona Opera impresses Maria Nockin

Ensemble. Human Nature - A staged 'Così fan tutte' at Severance Hall in Cleveland, enjoyed by Kelly Ferjutz

Ensemble. A Fine Performance - Verdi's 'Nabucco' from San Diego Opera, enjoyed by Maria Nockin

Ensemble. A Bombshell - Carmen at the movies, by Maria Nockin

Ensemble. A Double Farewell - Henze and Mahler in Rome, reported by Giuseppe Pennisi

Ensemble. A Thrilling New Option - 'Il Trovatore' from Barcelona, experienced in Arizona by Maria Nockin

Ensemble. A New Dimension - Giuseppe Pennisi reports that chamber opera is alive and well

Ensemble. Excellent Singing - Handel and Rossini from Los Angeles Opera impress Maria Nockin

Ensemble. Much Praise - 'Orpheus in the Underworld' from Kentish Opera, reviewed by Pippa Hare

Ensemble. A Sizzling Rendition - 'Carmen' from Phoenix Opera impresses Maria Nockin

CD Spotlight. Thoroughly Intelligent - Schumann and Beethoven songs, reviewed by Robert Anderson. '... he is undoubtedly more comfortable in his baritone register.'

Ensemble. Robust Voices - Susan Hampton visits Boston for Puccini's 'La bohème'

Ensemble. A Fine Rendition - 'Così fan tutte' at Arizona Opera, reviewed by Maria Nockin

Ensemble. A Classy Show - Pimlico Opera's 'Rigoletto', reviewed by Robert Hugill

Ensemble. A Gala Atmosphere - Maria Nockin reports from Los Angeles Opera's opening night 'L'Elisir d'amore'

CD Spotlight. Imaginative and Challenging - Music by Philip Wilby, heard by Patric Standford. 'Nothing stands still for long ...'

Ensemble. Tonal Luxuriance - Lawrence Budmen reports from Tanglewood 2009

Ensemble. A Magical Week - Maria Nockin reports from Santa Fe

Ensemble. Especially Successful - Gillian Wills reports from the Australian Fesival of Chamber Music

Ensemble. Thought-provoking - Music by Harle and Maxwell Davies, heard by Malcolm Miller

Ensemble. Truly Enjoyable - Maria Nockin was at Los Angeles Opera's 'La Traviata'

Ensemble. Lightness and Transparency - New World Symphony, the American orchestral academy, ends its season with an all-Tchaikovsky programme, reported by Lawrence Budmen

Ensemble. A Rare Treat - Verdi's 'Aida' from Prescott, reviewed by Susan Hampton

Ensemble. A Musical Gem - Donizetti's 'L'elisir d'amore', enjoyed by Maria Nockin

Ensemble. Shining Confidence - Derby Cathedral Choir's performance of Handel's 'Messiah' invigorates Mike Wheeler

CD Spotlight. Refreshingly Innovative - Music by John Beckwith, reviewed by Natalie Artemas-Polak. '... an important voice in Canadian music ...'

Many happy returns - Tess Crebbin pays tribute to German baritone Dietrich Fischer-Dieskau, eighty today


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