A selection of M&V 'acting' articles
Ensemble. An Eclectic Mix - Mieczyslaw Weinberg's 'The Portrait' at Opera North, experienced by Mike Wheeler
Ensemble. Stunning Artistry - New York Metropolitan Opera's Verdi's 'Don Carlo' transmission, seen and heard by Maria Nockin
Ensemble. Comedic Talents - Metropolitan Opera's 'Don Pasquale', live and in HD at the movies, by Maria Nockin
Ensemble. A Real Surprise - Celso Albelo hits Venice as Nemorino in Donizetti's 'L'Elisir d'Amore', by Giuseppe Pennisi
Ensemble. Growing Up - Hans Werner Henze's 'Pollicino' thrills children and adults in Florence, by Giuseppe Pennisi
Heroes Step Up in Crisis - The Muti era lays claim to Chicago, by Barbara Sealock
Ensemble. Eminently Believable - Undercroft Opera's 'La Traviata', reviewed by Kelly Ferjutz
Ensemble. A Total Delight - The Boston Symphony Orchestra at Tanglewood, heard by Lawrence Budmen
Ensemble. Nearly a Male Lulu - 'Don Giovanni' in Aix-en-Provence, a black comedy of sex and loneliness, reviewed by Giuseppe Pennisi
Profile. Hearing the Ideas - Maria Nockin talks to American composer Ricky Ian Gordon
Ensemble. An Excellent Staging - 'Madama Butterfly' at Rome's Teatro dell'Opera, appreciated by Giuseppe Pennisi
Ensemble. A Unifying Mood - A new song cycle by Julian Dawes, heard by Malcolm Miller
Ensemble. Human Nature - A staged 'Così fan tutte' at Severance Hall in Cleveland, enjoyed by Kelly Ferjutz
Ensemble. A Thrilling New Option - 'Il Trovatore' from Barcelona, experienced in Arizona by Maria Nockin
Ensemble. A New Dimension - Giuseppe Pennisi reports that chamber opera is alive and well
Ensemble. Excellent Singing - Handel and Rossini from Los Angeles Opera impress Maria Nockin
Ensemble. Much Praise - 'Orpheus in the Underworld' from Kentish Opera, reviewed by Pippa Hare
Ensemble. Robust Voices - Susan Hampton visits Boston for Puccini's 'La bohème'
Ensemble. A Different Rendition - Puccini's 'Tosca' on the big screen, reviewed by Maria Nockin
Ensemble. Profoundly Beautiful - William Christie's 'Dido and Aeneas' impresses Robert Hugill
CD Spotlight. Glittering Technique - Music by Gershwin for piano and orchestra, reviewed by Howard Smith. '... commendable drive and clarity.'
Ensemble. A Classy Show - Pimlico Opera's 'Rigoletto', reviewed by Robert Hugill
Ensemble. Especially Successful - Gillian Wills reports from the Australian Fesival of Chamber Music
Ensemble. A Magisterial Presence - William Christie conducts Purcell's 'The Fairy Queen', reviewed by Robert Hugill
The Pianist as Elocutionist - Gordon Rumson airs his issues on the art-form as part of a book-length study
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