The eminent Italian conductor Riccardo Muti was born on 28 July 1941. His operatic debut in 1966 led to a rapid rise in reputation. In 1977 he conducted at Covent Garden, assumed directorship of the New Philharmonia Orchestra, and became Principal Guest Conductor to the Philadelphia Orchestra.
A selection of M&V articles about Riccardo Muti
Ensemble. Cosmic Pessimism - Verdi's rarely performed 'I Due Foscari', experienced by Giuseppe Pennisi
Psychological Evolution - 'Simon Boccanegra' in Rome impresses Giuseppe Pennisi
Ensemble. Eros and the Almighty - Giuseppe Pennisi visits the 2012 Ravenna Festival
Ensemble. Musical Credibility - Giuseppe Pennisi was at the opening night of Teatro dell'Opera di Roma's production of Verdi's 'Attila'
Ensemble. A Triumphant Macbeth - Under Riccardo Muti's baton, Verdi's first Shakespearean opera inaugurates Rome's opera season, by Giuseppe Pennisi
Ensemble. Lasting Magic - Giuseppe Pennisi was at the Italian premiere in Ravenna of Mercadante's 'I Due Figaro'
Ensemble. Simple and Effective - A new production of Verdi's 'Nabucco' celebrates the 150th anniversary of Italy's Unification, reviewed by Giuseppe Pennisi
Ensemble. A Difficult Cocktail - Rossini's 'Moïse et Pharaon', assessed by Giuseppe Pennisi
Ensemble. An Epic Opera - Rossini's 'William Tell', from Rome to the BBC Proms, by Giuseppe Pennisi
Heroes Step Up in Crisis - The Muti era lays claim to Chicago, by Barbara Sealock
Ensemble. When God and Man Collide - Giuseppe Pennisi visits the Salzburg Festival to investigate 'the downfall of the myth and the spirit of the music'
Ensemble. Darkness to Light - Giuseppe Pennisi visits the Ravenna Festival
Ensemble. The Devil and the Bourgeoisie - Giuseppe Pennisi listens to Arrigo Boito's 'Mefistofele'
Ensemble. Disillusioning in All its Grandeur - New York Metropolitan Opera's current production of Giuseppe Verdi's 'Attila' elicits a mixed reaction from Rebecca Schmid
A Labour of Love - John Suchet's 'The Treasures of Beethoven', read by Howard Smith
DVD Spotlight. A Telling Moment - Poulenc's 'Dialogues des Carmélites', appreciated by Robert Anderson. '... finely expressed ...'
DVD Spotlight. Capital Comedy - 'Don Pasquale' enjoyed by Robert Anderson. 'The cast is admirable ...'
DVD Spotlight. Original groupings - Verdi's 'Don Carlo', reviewed by Robert Anderson. 'The chief glory ... is Zeffirelli's staging.'
Ensemble. Devotion and heroism - Ted and Emi Norrish enjoy a musical weekend in Munich