Anton Webern was born on 3 December 1883 in Vienna. His role as a composer in the early years of this century is generally regarded as a decisive pointer to future development. The brevity and concentration of material influenced not only his contemporaries but the next generation as well. Nonetheless, his enormous regard for the great romantics never waned. He died at Mittersill on 15 September 1945 from a bullet wound, accidentally shot by an American soldier during the post-war Austrian occupation.
A selection of M&V articles about Anton Webern
An Invaluable Book - Gergely Hubai's 'Torn Music: Rejected film scores, a selected history', recommended by Patric Standford
Andrew Schartmann's Musical Tidbits - Listening with New Ears. A Listening Strategy for Webern's String Trio
Ensemble. Shh ... Out! - Malcolm Miller was at the Israel Philharmonic Orchestra's 75th Anniversary Prom for an audience composition to remember ...
CD Spotlight. Formidable Hurdles - Music by George Rochberg, heard by Howard Smith. '... an eloquent performance, effectively recorded.'
Ensemble. Truly Miraculous - The Emerson Quartet, heard by Bill Newman
A Golden Treasury - Havergal Brian on European and American music, read by Patric Standford
CD Spotlight. Impeccable - Music by Szymanowski, Webern and Schoeck, recommended by Ron Bierman. 'The quartet plays with authority throughout ...'
Timings - Universal Edition's preparations for the Mahler Centenary years (2010-2011), by Jennifer Paull
CD Spotlight. Sensuality and Freedom - Stokowski conducts Schubert and Dvorák, heard by Béla Hartmann. '... one is never left in any doubt as to the force of the conductor ...'
Ensemble. Simplicity and Eloquence - Quatuor Ebène plays Haydn, Webern and Schubert, reviewed by Bill Newman
Ensemble. Musical Paradise - The Artemis Quartet shines at Urbana's Krannert Center, reviewed by Sonja Stojanovic
Ensemble. Ravishing Firebird! - Kelly Ferjutz reports on Boulez in Cleveland