SPONSORED: Ensemble. A view from the pit - John Joubert's Jane Eyre, praised by Alice McVeigh.
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25 YEARS: Classical Music Daily celebrates twenty-five years of daily publication with an hour-long video featuring some of our regular contributors.
VIDEO PODCAST: John Dante Prevedini leads a discussion about The Creative Spark, including contributions from Ryan Ash, Sean Neukom, Adrian Rumson, Stephen Francis Vasta, David Arditti, Halida Dinova and Andrew Arceci.
Spotlight. Precious, Luminous Gems - Esdras Mugatik listens to music for accordion by British composer Ronald Stevenson (1928-2015). '... a magical capacity to differentiate levels of sound ...'
A Fresh, Different View - Roderic Dunnett previews Adrian Partington's 2023 Gloucester Three Choirs Festival
Ensemble. A Worthy Venture - Adam J Sacks reports on two Hong Kong Philharmonic Orchestra concerts
Echoes of Oblivion by Robert McCarney - Fragments of Utopia
Ensemble. Sex and Blood in Jerusalem - Giuseppe Pennisi reports on the new production of 'Salome' in Leipzig
Ensemble. Exhilarating Music - Verdi, Rossini, Offenbach, Mozart and Theodore Morrison at Santa Fe Opera, enjoyed by Maria Nockin
Masks - Jennifer Paull continues her investigation of musical and theatrical masks
Masks - Jennifer Paull investigates a layering of musical and theatrical masks, with the omnipresent eerie reminder of the gas mask
Ensemble. A Top-notch Formation - Operas by Zemlinsky and Puccini, reviewed by Giuseppe Pennisi
Ensemble. A New Path - Music by Oliver Rudland, heard by Robert Anderson
Ensemble. Magnificent Performances - 'Salome' from Arizona, reviewed by Maria Nockin
Ensemble. An Accomplished Performance - Matthew Moss sings British music, enjoyed by Mike Wheeler
Ensemble. Any Questions? - Bernstein's 'Candide' at English National Opera, enjoyed by David Wilkins
Ensemble. Distant Sound - LA Opera's 'Recovered Voices', reviewed by Maria Nockin
Ensemble. Satisfying the Quest - 'The Nightingale and the Rose' by Oliver Rudland, reviewed by Robert Anderson
Ensemble. Dramatic Punch - Richard Strauss's 'Salomé', reviewed by Maria Nockin