A selection of M&V 'Elektra' articles
Ensemble. The Downfall - Richard Strauss' 'Elektra' in Bologna, reviewed by Giuseppe Pennisi
Musical Prowess - Robert Anderson's 'Opera Nights and Nightmares', read by Gerald Fenech
Ensemble. A High Level - German operas at the Enescu Festival in Bucharest, experienced by Giuseppe Pennisi
DVD Spotlight. Double Murder - Richard Strauss's 'Elektra', reviewed by Robert Anderson. '... the whole cast has been exemplary under the masterful direction of Esa-Pekka Salonen.'
CD Spotlight. Varied Mythology - Deutsche Grammophon's Strauss opera compilation, sampled by Robert Anderson. '... a hugely enjoyable set ...'
Ensemble. Different Women - 'Electra' and 'Elena' at Aix-en-Provence, reviewed by Giuseppe Pennisi
Ensemble. A Memorable Evening - Giuseppe Pennisi reports on the Richard Strauss masterpiece co-produced by Rome's Teatro dell'Opera and the Salzburg Festival
Ensemble. Unmistakably Italian - A fresh start for Gnecchi's 'Cassandra', by Giuseppe Pennisi
A Golden Treasury - Havergal Brian on European and American music, read by Patric Standford
CD Spotlight. Wonderfully Melodious - Richard Strauss operatic scenes, heard by Maria Nockin. '... an iridescent wave of vocal color.'
Ensemble. Eminently Believable - Undercroft Opera's 'La Traviata', reviewed by Kelly Ferjutz
Ensemble. When God and Man Collide - Giuseppe Pennisi visits the Salzburg Festival to investigate 'the downfall of the myth and the spirit of the music'
Ensemble. Under the Tuscan Sun - Giuseppe Pennisi attends the beginning of the Tiroler Festspiele 2010
Ensemble. Sheer Tension - The first performance of the unabridged 'Elektra' enthralls the audience, related by Giuseppe Pennisi
DVD Spotlight. Evident Delight - Puccini's 'La rondine', heard by Robert Anderson. '... exciting acrobatics ...'
Ensemble. A New Fascism - 'Elektra' at Hungarian State Opera, reviewed by Roderic Dunnett
Ensemble. Laden with tension - Strauss's 'Elektra' in Cleveland last night, appreciated by Kelly Ferjutz
Cultural flowering - Malcolm Miller in conversation with Hanna Munitz, General Director of New Israeli Opera (concluded from last week)