| A selection of M&V 'young' articlesEnsemble. Young Purity - A Covent Garden 'Salome' revival, reviewed by Robert Hugill
 Ensemble. Young Eroticism in the Third French Republic - Massenet's 'Manon' returns to Rome, reviewed by Giuseppe Pennisi
 
 Ensemble. Awakening of Nature - Mahler's Third Symphony, appreciated by Giuseppe Pennisi
 
 Profile. Important Skills - Maria Nockin talks to American mezzo Dolora Zajick
 
 Ensemble. Under the Tuscan Sun - Giuseppe Pennisi attends the beginning of the Tiroler Festspiele 2010
 
 A Genuine Beethoven Pianist - Simon Watterton gives a lunchtime recital in London, heard by Julian Jacobson
 
 Thoroughly Impressed - Maria Nockin talks to baritone Alan Opie, who is about to sing Germont for San Diego Opera
 
 Ensemble. An Erotic 'Tannhäuser' in Bollywood - Giuseppe Pennisi has mixed feelings about La Scala's new Wagnerian production
 
 Ensemble. Truly Memorable - A concert of arias at Arizona Opera impresses Maria Nockin
 
 CD Spotlight. Indeed Eternal - 'Symphonie fantastique' and 'Le Carnaval romain', enjoyed by Robert Anderson. '... much to admire ...'
 
 CD Spotlight. Formidably Difficult - Antonín Dvorák's Piano Concerto, heard by Stephen Francis Vasta. '... commendable, as far as it goes.'
 
 Ensemble. Strong Performances - Donizetti's 'Don Pasquale', reviewed by Robert Hugill
 
 Ninety Stars are Born - Giuseppe Pennisi tours Austria with a young Italian symphony orchestra
 
 Ensemble. A Fine Performance - Verdi's 'Nabucco' from San Diego Opera, enjoyed by Maria Nockin
 
 CD Spotlight. Appealingly Straightforward - Music by Barbara Harbach, warmly recommended by Ron Bierman. '... a worthwhile introduction to a valuable contemporary composer ...'
 
 Dual Personality? - In the 20th anniversary year of Bernstein's death, Giuseppe Pennisi writes about Italy's homage to Lenny
 
 DVD Spotlight. Unfailing Energy - Bartók's Sonata for Two Pianos and Percussion, welcomed by Patric Standford. 'The video reveals Solti's benign authority ...'
 
 Ensemble. Much Praise - 'Orpheus in the Underworld' from Kentish Opera, reviewed by Pippa Hare
 
 Ensemble. Robust Voices - Susan Hampton visits Boston for Puccini's 'La bohème'
 
 Ensemble. A Magisterial Presence - William Christie conducts Purcell's 'The Fairy Queen', reviewed by Robert Hugill
 
 
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