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A selection of M&V 'death' articles

CD Spotlight. Chilling Power - Gregory Rose's 'Danse Macabre', heard by Gerald Fenech. '... intense realism.'

DVD Spotlight. A Modern Orfeo - Music by Elodie Lauten, reviewed by Malcolm Tattersall. '... a pleasing half-hour chamber opera ...'

CD Spotlight. Subtle Touches - 'Die schöne Müllerin', heard by Robert Anderson. '... a memorable performance.'

Mahler versus Mahler - Two symphony orchestras are playing Mahler in Rome, by Giuseppe Pennisi

Ensemble. A Real Triumph - The first Milan performance of Britten's 'Death in Venice' impresses Giuseppe Pennisi

Ensemble. The Wizard from Oz - David Arditti attends a celebration for the fiftieth anniversary of the death of Percy Grainger

CD Spotlight. Deeply Satisfying - Elena Kuschnerova plays J S Bach, selected by Howard Smith. '... decisive and fresh as a dewfall.'

CD Spotlight. An Invaluable Recording - The complete solo songs of E J Moeran, heard by Patric Standford. '... beautifully sung ...'

Confidently Entertaining - A recital by John Paul Ekins delights Bill Newman

Ensemble. Gripping Intensity - Verdi's 'Macbeth' at New Zealand Opera impresses Howard Smith

CD Spotlight. Exciting Listening - Mykola Suk plays Liszt, enjoyed by Robert Anderson. '... a mastery and range of expression ...'

CD Spotlight. Sheer Delight - Table music by Biber, recommended by Patric Standford. '... a superb and sensitive performance ...'

Ensemble. Convincing and Engrossing - Robert Hugill visits the Gut Immling Festival for a performance of Wagner's 'The Flying Dutchman'

Ensemble. Performance to Cherish - Lawrence Budmen submits a further report from the Tanglewood Festival 2010

Much Augmented - A new score of Elgar's 'Arthur', perused by Robert Anderson

Ensemble. 'Alceste' in the Madhouse - Giuseppe Pennisi files his last report from the 2010 Aix-en-Provence Festival

Ensemble. Splendid Ideas - Stravinsky's 'Le Rossignol' impresses Giuseppe Pennisi

Ensemble. Special Praise - Bizet's 'Carmen' at Kentish Opera, enjoyed by Pippa Hare

Ensemble. Total Confidence - Sinfonia Viva's summer schools project, 'Floratorio', reviewed by Mike Wheeler

Ensemble. Darkness to Light - Giuseppe Pennisi visits the Ravenna Festival

CD Spotlight. Flight of Eloquence - Blomstedt conducts Bruckner, heard by Robert Anderson. '... opulence and splendour ...'

Ensemble. Awakening of Nature - Mahler's Third Symphony, appreciated by Giuseppe Pennisi

Profile. Hearing the Ideas - Maria Nockin talks to American composer Ricky Ian Gordon

CD Spotlight. Thrilling Mastery - Tanja Becker-Bender plays Paganini, reviewed by Howard Smith. '... sparkling clarity and power ...'

Ensemble. Love's Eternal Empire - Music by Janácek and Suk impresses Bill Newman

Ensemble. Highly Inventive - Music by Stephen Foster, reviewed by Kelly Ferjutz

CD Spotlight. Rhythmic Interplay - Music by Babbitt and Feldman, heard by Patric Standford. '... fresh and striking ...'

Ensemble. Seething with Evil - Franz Schreker's 'Die Gezeichneten', reviewed by Giuseppe Pennisi

Ensemble. Seldom Performed - 'Lulu' lands at La Scala, by Giuseppe Pennisi

A Vision of Shostakovich's String Quartet No 8 - A poem by J Jean Mayfield

CD Spotlight. Indeed Eternal - 'Symphonie fantastique' and 'Le Carnaval romain', enjoyed by Robert Anderson. '... much to admire ...'

Dual Personality? - In the 20th anniversary year of Bernstein's death, Giuseppe Pennisi writes about Italy's homage to Lenny

CD Spotlight. Nearly Unknown - Bologna's Renaissance music, heard by Giuseppe Pennisi. '... an efficient and effective local ensemble ...'

Ensemble. In Full Voice - Britten's 'St Nicolas' at Canterbury Cathedral, enjoyed by Pippa Hare

Ensemble. A Double Farewell - Henze and Mahler in Rome, reported by Giuseppe Pennisi

Ensemble. Alive and Well - Giuseppe Pennisi experiences Zeffirelli's latest 'La traviata'

Imaginative Heights - Gordon Rumson looks forward to the Calgary Art Song Competition

Ensemble. Warmth and Richness - Massenet's 'Werther', heard by Mike Wheeler

Ensemble. Imagination and Strength - Celebrating the Mendelssohn anniversary at Mannes College, reported by Anna L Franco

Ensemble. Lively and Spirited - A performance by Haydn Trio Eisenstadt, heard by Rebecca Schmid

CD Spotlight. A Superb Work - Thomas Arne's 'Artaxerxes', heard by Robert Anderson. 'Roy Goodman and his team give their all ...'

Ensemble. A Bold Piece - Jonathan Dove's 'Swanhunter', reviewed by Patric Standford

CD Spotlight. Thoroughly Intelligent - Schumann and Beethoven songs, reviewed by Robert Anderson. '... he is undoubtedly more comfortable in his baritone register.'

Ensemble. Strong Performances - Handel's 'Susanna' from Les Arts Florissants, assessed by Robert Hugill

CD Spotlight. A Rare Collection - The collected 78rpm recordings of Peter Warlock, heard by Patric Standford. '... some interesting and revealing performances.'

CD Spotlight. Forever Challenging - Symphonies by Leif Kayser, heard by Patric Standford. '... his ingenious inventiveness continues to impress.'

CD Spotlight. Impeccable Technique - Beethoven's middle string quartets, heard by Robert Anderson. 'The outer movements induce some grinding of teeth.'

CD Spotlight. Sacrificing the 'unmodern' - Music by Julius Röntgen and Per Nørgård, heard by George Balcombe. 'How could any audience resist ... ?'

Ensemble. Sterling Performances - Donizetti's 'Linda di Chamounix', heard by Robert Hugill

Highly Articulate - American dramatic soprano Christine Brewer talks to Robert Hugill

CD Spotlight. Faultless Performances - Beethoven from The Nash Ensemble, welcomed by Howard Smith. '... a class of its own.'

Ensemble. Truly Enjoyable - Maria Nockin was at Los Angeles Opera's 'La Traviata'

Ensemble. Student Life and Love - Puccini's 'La bohème' from Kentish Opera, enjoyed by Pippa Hare

CD Spotlight. Uncommon Singularity - Choral music by Lepo Sumera, reviewed by Howard Smith. '... performances with these forces are undoubtedly authoritative ...'

DVD Spotlight. An Eloquent Performance - 'Adriana Lecouvreur', reviewed by Robert Anderson. '... a chorus and orchestra beautifully responsive to the lyrical nuances of Cilea's score.'

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