Christoph Willibald Gluck
German composer Christoph Willibald Gluck is inseparably associated with operatic reform. He was born on 2 July 1714 at Erasbach and died on 15 November 1787 in Vienna. He travelled Europe and held several court appointments.
A selection of M&V articles about Christoph Willibald Gluck
Ensemble. Glorious New Directions - Roderic Dunnett looks ahead to 2018 and celebrates more of the best English provincial opera from 2017, at Garsington, Longborough and Winslow Hall
Ensemble. Early Opera in the English Provinces - Roderic Dunnett applauds some of this year's successes and glances ahead to 2018
CD Spotlight. Translucent Sound - Harp music from Xavier de Maistre, appreciated by Gerald Fenech. 'Performances are lusciously executed, and both soloist and orchestra are in perfect harmony ...'
CD Spotlight. Beyond Words - Rachel Brown's Revolutionary Flute Quartets, highly recommended by Alice McVeigh. 'The double-CD is worth buying for this slice of Gluck alone.'
Musical Prowess - Robert Anderson's 'Opera Nights and Nightmares', read by Gerald Fenech
Ensemble. Skillfully Adapted - Gluck's 'Orfeo e Euridice' in Palermo, in the Berlioz version, experienced by Giuseppe Pennisi
Ensemble. Steely Force - A devastatingly fresh take on 'Orfeo ed Eurydice', admired by Mike Wheeler
Ensemble. Orpheus versus Orpheus - Giuseppe Pennisi enjoys 'Orfeo e Euridice' at the Maggio Musicale Fiorentino, and surveys the different versions of Gluck's opera
CD Spotlight. A Special Affinity - Beethoven, Chopin and Liszt from Viktor Bijelovic, heard by Andrew Schartmann. '... beautiful voicing and highly sensitive phrasing.'
Ensemble. Fighting for Freedom - A new start for 'Il Trionfo di Clelia'? Giuseppe Pennisi has his doubts
DVD Spotlight. Divine Permission - A Gluck double bill, reviewed by Robert Anderson. 'The musical performance under Marc Minkowski is more convincing than the staging ...'
CD Spotlight. Wholly Inspiring - A recital by Elaine Huckle, heard by Howard Smith. '... her tonal resources are robust and the delivery pleasingly straightforward.'
Ensemble. A Charming Performance - Gluck's 'Orfeo ed Euridice' at Arizona Opera, enjoyed by Maria Nockin
Ensemble. Electronics Prevails - 'Orphée' at the Roma-Europa Festival, reviewed by Giuseppe Pennisi
Ensemble. Very Welcome - Robert Hugill experiences Stephen Oliver's 'Euridice'
Ensemble. 'Alceste' in the Madhouse - Giuseppe Pennisi files his last report from the 2010 Aix-en-Provence Festival
Ensemble. Seventh Heaven - Christine Brewer and Craig Rutenberg's recital in Los Angeles, reviewed by Maria Nockin
Ensemble. A True Dynamo - Lawrence Budmen listens to French conductor Ludovic Morlot, in concert with Jennifer Koh and the New World Symphony
Ensemble. Style and Drama - Gluck's 'Alceste', heard by Robert Hugill
Ensemble. Much Praise - 'Orpheus in the Underworld' from Kentish Opera, reviewed by Pippa Hare
Highly Articulate - American dramatic soprano Christine Brewer talks to Robert Hugill
Ensemble. A Magical Week - Maria Nockin reports from Santa Fe
Easy Grace - Martyna Jatkauskaite plays Mozart and Schumann, enjoyed by Robert Hugill
Ensemble. Profoundly Satisfying - 'Theodora' at the London Handel Festival, enjoyed by Robert Hugill
Ensemble. A Masterly Account - Donizetti's 'Parisina d'Este', heard by Robert Hugill
Ensemble. Fresh and Intense - Gluck's 'Iphigénie en Tauride', reviewed by Robert Hugill
Ensemble. Light and Sprightly - Handel's 'Theodora', reviewed by Robert Hugill
Listening with baroque ears - Robert Hugill investigates the world of collaborative opera
CD Spotlight - Perfectly paced. 'Valerie Tryon is an excellent pianist and musician who grasps the style of these pieces beautifully ... her sound and phrasing are gorgeous.' Valerie Tryon performs the music of Ignaz Friedman, with Gordon Rumson