Italian opera composer Vincenzo Bellini, although only 34 when he died in France on 23 September 1835, wrote eleven operas notable for a vocal style demanding both legato for the substantial melodic lines and bravura for dramatic display. He was born at Catania in Sicily on 3 November 1801.
A selection of M&V articles about Vincenzo Bellini
Ensemble. Infectiously Enjoyable - Anniversaries at The VoiceBox in Derby, by Mike Wheeler
Ensemble. Romantic Premonitions - Bellini's 'I Puritani', enjoyed by Giuseppe Pennisi
Ensemble. Light of Hope - Palermo's mixed reception to an innovative 'Norma', reviewed by Giuseppe Pennisi
CD Spotlight. Mastery of Adaptation - Opera transcriptions for piano, heard by Howard Smith. '... illuminating performances ...'
CD Spotlight. Nostalgic and Enthralling - A Joan Sutherland portrait, heard by Gerald Fenech. '... a fitting tribute to the singing legend from Australia ...'
Ensemble. Great Appeal - Taormina Teatro Antico's 'Norma' in HD, reviewed by Maria Nockin
Ensemble. Very Juicy - Summer Opera in Rome, enjoyed by Giuseppe Pennisi
Ensemble. A Major Treat - Maria Nockin listens to soprano Amber Wagner
Ensemble. Soulful Intensity - Bellini's 'Norma', reviewed by Mike Wheeler
Ensemble. Drama and Comedy - British humour under the Neapolitan sun, in 'L'Elisir d'Amore' in Rome and San Francisco, by Giuseppe Pennisi
Ensemble. A Real Surprise - Celso Albelo hits Venice as Nemorino in Donizetti's 'L'Elisir d'Amore', by Giuseppe Pennisi
Ensemble. Very Welcome - Robert Hugill experiences Stephen Oliver's 'Euridice'
Ensemble. Bravura Performance - A piano recital by Anthony Hughes, heard by Mary Isaac
Noteworthy Impressions - Greg Moomjy writes about the art of the outstanding production
Ensemble. Truly Memorable - A concert of arias at Arizona Opera impresses Maria Nockin
Ensemble. White Hot Intensity - Renée Fleming and the Russian National Orchestra at the Festival of the Arts Boca 2010, reviewed by Lawrence Budmen
Ensemble. A Fine Performance - Verdi's 'Nabucco' from San Diego Opera, enjoyed by Maria Nockin
Ensemble. Meticulously Explored - Bellini's 'La Somnambula' provides a long-awaited answer to an age-old question, as experienced by Gregory Moomjy
Ensemble. Alive and Well - Giuseppe Pennisi experiences Zeffirelli's latest 'La traviata'
Ensemble. Warmth and Richness - Massenet's 'Werther', heard by Mike Wheeler
Ensemble. Alert Playing - A recital for oboe and harp, heard by Mike Wheeler
Bizarre Perception - Alistair Hinton discusses a recent article on English music by David Hamilton
Ensemble. A Notable Success - Grange Park Opera's 'Norma', reviewed by Robert Hugill
Ensemble. Wholly Captivating - Rossini's 'Italian Girl in Algiers' impresses Howard Smith
Ensemble. Sometimes Impressive - Bellini's 'Norma' from English Touring Opera, heard by Robert Hugill
Ensemble. Magical eloquence - The first night of Palm Beach Opera's revival of Bellini's 'Norma' provides a night to remember for Lawrence Budmen
Ensemble. Brilliantly Realised - Bellini's 'I Capuleti e i Montecchi', heard by Mike Wheeler
A Superb Outing - Bellini's 'La Straniera', reviewed by Robert Hugill
Ensemble. Profoundly Moving - Bellini's 'I Capuletti e I Montecchi', enjoyed by Robert Hugill
Ensemble. Highly Dramatic - Nelly Miricioiu in Bellini's 'Beatrice di Tenda', reviewed by Robert Hugill
Oh, Those Verdi Choruses! - by Teresa Verde
Ensemble. Fluid Performance - The Chelsea Opera Group's 'I Puritani', reviewed by Robert Hugill
Ensemble. Inner warmth - Bellini's 'Norma' in Denver, appreciated by Maria Nockin
Ensemble. Playful rapport - A recital by Harriet Adie and Jessica Burroughs, reviewed by Mike Wheeler
Ensemble. Operatic delights - Canadian Opera Company's Altamira Summer Arts Concerts, reviewed by Malcolm Miller
Ensemble. Vibrant performance - Bellini's 'I Puritani' in Florida, reviewed by Lawrence Budmen
Mozart matinées - A Salzburg Festival preview, by Tess Crebbin
Ensemble. Italian passion - Lawrence Budmen attends a concert performance of Bellini's 'Norma'
Ensemble. Verging on London standards - Roderic Dunnett visits Dorset and Stowe Opera for productions of 'Norma' and 'Don Carlo'