Arnold Schoenberg
Arnold Schoenberg, possibly the composer of greatest significance in the sweeping changes to our perception of music in the 20th century, was born in Vienna on 13 September 1874. Prior to his change, the music he wrote gradually reached extremes of chromatic harmony, which led to atonality. The rest is history, but the tidal wave of disruption can still be felt. He died in Los Angeles on 13 July 1951.
A selection of M&V articles about Arnold Schoenberg
Ensemble. Compelling Vocal Drama - Lawrence Budmen listens to Measha Brueggergosman and the New World Symphony
CD Spotlight. Without Parallel - Haydn's late piano trios delight Robert Anderson. '... stylish and impeccable.'
CD Spotlight. Highly Challenging - Music for unaccompanied violin, heard by Howard Smith. '... searching performance ...'
Timings - Universal Edition's preparations for the Mahler Centenary years (2010-2011), by Jennifer Paull
CD Spotlight. Sacrificing the 'unmodern' - Music by Julius Röntgen and Per Nørgård, heard by George Balcombe. 'How could any audience resist ... ?'
A Useful Survey - Thomas May's 'The John Adams Reader', reviewed by Mike Wheeler
Music for Musicians Only? - The public turns a deaf ear to improvised music. As for classical music, Jan Dahlstedt claims that having abandoned improvisation, classical music entered a sidetrack from which it has never escaped, thus badly stifling creative progress. If he is guilty of heresy or may have a point, read on and judge for yourself.
Ensemble. Fresh Energy - Sinfonia Viva begins its Mendelssohn celebrations, heard by Mike Wheeler
CD Spotlight. A Healthy Revival - Choral music by Randall Thompson, enjoyed by Howard Smith. '... performances and recording are exemplary throughout.'
Record Box. Richness of Colour - Stokowski conducts Wagner, Enescu, Debussy and Stravinsky, enjoyed by Robert Anderson
Book Review. A Lordly Survey - Nick Strimple's 'Choral Music in the Nineteenth Century', reviewed by Robert Anderson
Limitless Combinatorics - Eric Pettine postulates 'No Shortage of Melodies Anytime Soon', and offers some real hope for cynical musicians who think they've heard it all
Interval Talk - Alistair Hinton comments on Patric Standford's recent 'Provocative Thoughts'
Ensemble. Musical Paradise - The Artemis Quartet shines at Urbana's Krannert Center, reviewed by Sonja Stojanovic
CD Spotlight. Also Sprach Richard Strauss - 'An Alpine Symphony', enjoyed by George Balcombe. '... beguiling music.'
Ensemble. Engulfing Vision - A concert at New York City's Hunter College, reviewed by Maria Nockin
DVD Spotlight. Moving and Powerful - Gershwin's 'Porgy and Bess', appreciated by Robert Anderson. 'The work is in the safest possible hands ...'
Ensemble. 'I wandered through Theresienstadt' - Malcolm Miller was at a Terezin concert on the eve of Holocaust Day 2006
Ensemble. An acquired taste - Dietrich Fischer-Dieskau in Munich, by Tess Crebbin and Sissy von Kotzebue
Ensemble. Instrumental dexterity - Transfigured Night for the New World Symphony, by Lawrence Budmen
Provocations - Alistair Hinton and Chad Wozniak discuss Patric Standford's recent 'Provocative Thoughts'
CD Spotlight. A versatile performer - Daphna Cohen-Licht's recital disc 'Emotional Turbulence', reviewed by Robert Hugill. '... Cohen-Licht gives full reign to the drama ...'
Record box. Impressive performances - A 20th century recital by the Westminster Choir, recommended by Patric Standford
The same or not the same? - That is the question. Alistair Hinton responds to Patric Standford's recent provocative essay
Ensemble. Bracing Schoenberg - Lawrence Budmen listens to the Artemis Quartet
Ensemble - Evolution or revolution? Samuel Brown on RTÉ's Second Viennese School weekend
Record Box - Instant Blend - Weigl the unknown, with Basil Ramsey
Planning your collection - Steven Wray and Sam Haywood, with Bill Newman
|
