A selection of M&V 'harpsichord music' articles
Ensemble. Sparkle and Brilliance - An exploration of the celebration and imitation of national styles, heard by Mike Wheeler
Ensemble. Culturally Ambiguous - Tiara Ataii listens to British-Israeli countertenor Yaniv d'Or
CD Spotlight. Bewitchingly Improvisatory - Rachel Brown's 'A Tribute to Bach', recommended by Alice McVeigh. '... Rachel Brown has enough talent, in her littlest finger, to lift an entire orchestra ...'
CD Spotlight. Pure Python? - 'Wild Men of the Seicento', heard by Keith Bramich. '... Piers Adams and David Wright's superb performances exhibit a strangely infectious authenticity.'
CD Spotlight. Commanding the Passions - Sonatas by Francesco Barsanti, enjoyed by Gerald Fenech. '... performances are consistently versatile, accurate and poetic.'
CD Spotlight. Limited Soundscape - Music by Beth Anderson, heard by Geoff Pearce. 'The performances were well realized ...'
CD Spotlight. Imaginative Programming - Music for recorder and harpsichord from Denmark and the UK, recommended by Geoff Pearce. '... this partnership works very well musically ...'
CD Spotlight. Most Intriguing - Music by Rameau, heard by Robert Anderson. '... much sensitive playing from the whole team.'
CD Spotlight. Delectable Listening - Michala Petri plays Telemann, admired by Robert Anderson. 'The performance is indeed triumphant.'
CD Spotlight. Dramatic Effect - Harpsichord music by Handel, heard by Robert Anderson. '... exciting and eloquent throughout ...'
CD Spotlight. Chromatic Daring - Trio and keyboard sonatas by Charles Avison, heard by Robert Anderson. '... a eupeptic sense of well-being ...'
Ensemble. Santa Fe, The City Different - Maria Nockin enjoys the summer opera fare in North America's oldest capital city
DVD Spotlight. A Modern Orfeo - Music by Elodie Lauten, reviewed by Malcolm Tattersall. '... a pleasing half-hour chamber opera ...'
CD Spotlight. Equal Partners - Chamber music by Barbara Harbach, enjoyed by Ron Bierman. '... more humor than can be found in the entire oeuvre of many contemporary composers.'
Ensemble. Different Couples - English Touring Opera's 'La Clemenza di Tito', reviewed by Robert Hugill
CD Spotlight. A Strange Choice - Violin concertos by Vivaldi, heard by Howard Smith. '... reliable and persuasive ...'
Ensemble. A Memorable Programme - Bach Cantatas at London's Royal Academy of Music, heard by Malcolm Miller
Ensemble. Superb Pianism - A London recital by Julian Jacobson, heard by Robert Anderson
CD Spotlight. Firstrate Ensemble - Accompanied harpsichord sonatas by Charles Avison, recommended by Robert Anderson. '... both brilliant and sensitive ...'
Wondrously Expansive - Ronan Magill's recital at London's Wigmore Hall impresses Robert Anderson
CD Spotlight. Playing Rameau - Interpretations by Stephen Gutman, recommended by George Balcombe. '... not a million miles away from jazz.'
DVD Spotlight. A Glorious Time - Purcell's 'The Fairy Queen', recommended by Robert Anderson. '... tender expression and all requisite vim.'
Ask Alice - On songwriters and gamba sonatas, with classical music agony aunt Alice McVeigh
CD Spotlight. Thoughtfully Appealing - Judith Lambden plays J S Bach, heard by Howard Smith. '... a great deal to admire ...'
Ensemble. Clearly Important - The seventh Klavessiinfestival held in Tallinn, Estonia, attended by Peter Howell
Ensemble. Hilariously Funny - Arizona Opera's 'The Barber of Seville', appreciated by Maria Nockin
Ensemble. Delightful Contributions - Nicholas Kok conducts Sinfonia Viva, heard by Mike Wheeler
Ensemble. Human Nature - A staged 'Così fan tutte' at Severance Hall in Cleveland, enjoyed by Kelly Ferjutz
CD Spotlight. Chicago Baroque - Trio Settecento's A German Bouquet, recommended by Malcolm Tattersall. '... very fine performances of some rarely heard but attractive music ...'
CD Spotlight. Nearly Unknown - Bologna's Renaissance music, heard by Giuseppe Pennisi. '... an efficient and effective local ensemble ...'
Ensemble. Sparks Really Flew - Mike Wheeler listens to the Denner Ensemble
CD Spotlight. Precocious and Talented - Music by Anna Bon di Venezia, heard by Ron Bierman. '... nuanced and cleanly articulated ...'
CD Spotlight. A Forthright Approach - J S Bach's St Matthew Passion, recommended by Howard Smith. '... the Ex Cathedra performance is a triumph.'
CD Spotlight. Robust and Spirited - James Tibbles plays J S Bach, heard by Howard Smith. '... worthy of widespread international recognition.'
Ensemble. Thoughtfully Conceived - James Judd conducts Handel's 'Messiah', reviewed by Lawrence Budmen
Ensemble. Style and Drama - Gluck's 'Alceste', heard by Robert Hugill
CD Spotlight. Splendidly Performed - Baroque music for cello, recommended by Howard Smith. 'An exemplary CD ...'
CD Spotlight. The Gamba Problem - Music by J S Bach, heard by George Balcombe. '... a number of oddities ...'
CD Spotlight. Intense Expressiveness - Music from Venice, reviewed by George Balcombe. '... an amazing display of eighteen short pieces ...'
Ask Alice - On parents and prose style, with classical music agony aunt Alice McVeigh
Ensemble. Profoundly Beautiful - William Christie's 'Dido and Aeneas' impresses Robert Hugill
Ask Alice - The truth about bishops and priests, with classical music agony aunt Alice McVeigh
Ensemble. Brilliant Opportunities - A Rossini double bill, reviewed by Robert Hugill
CD Spotlight. Exceptional Assurance - J S Bach organ sonatas, heard by Howard Smith. '... an immensely satisfying conclusion.'
CD Spotlight. Diversely Experienced - Music for bassoon, harpsichord and double bass, impresses Howard Smith. '... an outright "tour de force".'
Ensemble. Excellent Throughout - A lunchtime piano recital by Maiko Mori, heard by Bill Newman
CD Spotlight. Deceptive Naturalness - Red Priest's 'Nightmare in Venice', entertains Howard Smith. '... irrepressible, chic ...'
CD Spotlight. Simply Dazzling - Piazzolla and Vivaldi's 'Four Seasons', heard by Robert Hugill. '... I rather missed the sound of the bandoneon ...'
CD Spotlight. Highly Stimulating - Harpsichord music by Israeli composers, reviewed by Gerald Fenech. '... admirably played ...'
Record Box. Utmost Subtlety - Seung-Un Ha plays Bach's Goldberg Variations, reviewed by Robert Anderson
Ensemble. Profoundly Satisfying - 'Theodora' at the London Handel Festival, enjoyed by Robert Hugill
Ensemble. A Rich Sound - Handel's 'Samson', enjoyed by Robert Hugill
CD Spotlight. Bold and Inventive - Charles Avison's reworkings of Scarlatti, enjoyed by Robert Anderson. 'Avison's deployment of massed strings is wonderfully effective ...'
Ensemble. A Delicate Balance - Cavalli's 'La Calisto', reviewed by Robert Hugill
CD Spotlight. Refreshingly Innovative - Music by John Beckwith, reviewed by Natalie Artemas-Polak. '... an important voice in Canadian music ...'
Record Box. Doubled Concertos - Malcolm Tattersall listens to Bach
Le grand clavecin - The sixth Harpsichord Festival (Klavessiinifestival) in Tallinn, Estonia, 10-15 April 2008, attended by Peter G Howell
Rui dos Reis - Jennifer Paull interviews and investigates the Portuguese composer-pianist
CD Spotlight. A Definitive View - Imbi Tarum plays French Baroque harpsichord music, recommended by Peter G Howell. 'The playing is superb ...'
CD Spotlight. Unfamiliar Territory - Mike Hall plays baroque music on alto trombone, reviewed by Malcolm Tattersall. '... a voyage of discovery ...'
Ensemble. Arresting Playing - A recital by Althea Ifeka and Katherine May, reviewed by Mike Wheeler
CD Spotlight. Musical riches - A new recording of François Couperin's complete works for harpsichord, appreciated by Rex Harley. '... formidable technique and the deftest of touches.'
CD Spotlight. A delightful airing - The keyboard music of Matthew Locke, reviewed by Robert Anderson. '... crisp and lively ...'
CD Spotlight. Carefree brilliance - The keyboard music of Orlando Gibbons, enjoyed by Robert Anderson. '... technique and panache ...'
CD Spotlight. Couperin sorted - The 'Pièces de Clavecin', played in order of progressive difficulty, investigated by Ron Bierman. '... valuable for piano students.'
A man of many talents - Jennifer Paull pays tribute to Igor Kipnis, who died on 24 January 2002
Record box - No piano on that one. Basil Ramsey overhears musicians getting together