Possibly the title Carmen is better known than the name of its composer, Georges Bizet. Born 25 October 1838, he was to write several operas of little success before the work that eventually became so popular. His output was varied and during his lifetime works such as Jeux d'enfants brought him more acclaim than anything else. He lived until 3 June 1875.
A selection of M&V articles about Georges Bizet
CD Spotlight. Top Notch - Magdalena Kozená's Carmen, recommended by Gerald Fenech. '... sheer and utter brilliance in every department.'
Ensemble. A Splendid Violinist - Peter Fisher's 'Music from the Movies', enjoyed by Bill Newman
Ensemble. An Annual Delight - Maria Nockin visits Santa Fe for the summer opera season
Emotional Impressions - Bill Newman listens to Neapolitan pianist Clelia Cafiero
Ensemble. Opera's Bright Future - Tom Taffinder reports from the Royal Welsh College of Music and Drama
Ensemble. The Turning Point - Giuseppe Pennisi was in eastern Sicily for the opening night of Teatro Massimo Bellini's 2012 season - a low cost but high quality 'Carmen'
Clarity of Expression - Yasmin Rowe plays for the Keyboard Charitable Trust, reviewed by Bill Newman
Ensemble. Uncurbed Impulses - Bizet's 'Carmen' at San Diego Opera, appreciated by Maria Nockin
Ensemble. Psychological Portraits - Opera North's 'Carmen', experienced by Mike Wheeler
Ensemble. Mediterranean Splendour - Dancing to Bizet's 'L'Arlésienne' and 'Carmen', by Giuseppe Pennisi
Performances to Remember - Maria Nockin looks forward to San Diego Opera's 2011 season
Ensemble. Brisk and Powerful - 'Carmen' in Tucson, enjoyed by Maria Nockin
Ensemble. Intensely Gripping - Bizet, Richard Strauss and Vaughan Williams from Mark Elder and the Hallé Orchestra, heard by Mike Wheeler
Ensemble. Special Praise - Bizet's 'Carmen' at Kentish Opera, enjoyed by Pippa Hare
Ensemble. Colourful and Large Scale - Francesca Zamballo's production of 'Carmen', reviewed by Robert Hugill
Ensemble. The Real Thing - Spanish music from the Hallé Orchestra, reviewed by Mike Wheeler
Ensemble. High Voltage - Sol Gabetta joins Slatkin and the Detroit Symphony Orchestra, reviewed by Lawrence Budmen
Ensemble. A Bombshell - Carmen at the movies, by Maria Nockin
Ensemble. A False Start - 'Carmen' at La Scala, reviewed by Giuseppe Pennisi
Ensemble. A Sizzling Rendition - 'Carmen' from Phoenix Opera impresses Maria Nockin
Ensemble. A Sparkling Account - The Kanazawa-Admony Piano Duo pays tribute to Carola Grindea, reviewed by Malcolm Miller
Ensemble. True Artistry - Howard Smith attends New Zealand's Music Fair of Japan 2009
Ensemble. Dramatic Essentials - 'Carmen' from Paris, enjoyed by Robert Hugill
Old and New Worlds - Ioana Osoianu talks to Keith Bramich about her life in the East and West
Record Box. Virtuosic Turns - Solo sonatas by Benedetto Marcello, reviewed by Gerald Fenech
CD Spotlight. Stylish and Pointed - Stokowski conducts Bizet and Debussy, enjoyed by Robert Anderson. '... a rhythmic élan and masterly sense of line ...'
Ensemble. An Exotic Atmosphere - Bizet's 'The Pearl Fishers' at San Diego Opera, enjoyed by Maria Nockin
CD Spotlight. Truly Invigorating - Opera fantasies for violin, reviewed by Howard Smith. '... engaging musical finesse.'
DVD Spotlight. Sensual Drama - West Australian Ballet in Shchedrin's 'Carmen', reviewed by Malcolm Tattersall. '... colourful and energetic ...'
Ensemble. Somewhat Controversial - 'Carmen' in Santa Fe, reviewed by Maria Nockin
Gossip and Rebellion - Robert Hugill writes about the history of the first performance of Bizet's 'Carmen'
Ensemble. Shimmering Harmonies - San Diego Opera's 'Carmen' delighted Maria Nockin
Ensemble. Effectively shaped - Bizet's 'The Pearl Fishers', reviewed by Mike Wheeler
Ensemble. Sensationally STILL - Alexa Still and the NGC Wellington Sinfonia, reviewed by Howard Smith
Ensemble. New edition - Robert Hugill congratulates the Chelsea Opera Group on its performance of 'The Pearl Fishers'
Record box. The Spanish Guitar - Ron Bierman listens to excerpts from previous Naxos releases
Record box - Duetting. A new CD of French music considered by Basil Ramsey
Engaging and original - Malcolm Miller enthuses about English National Opera's 2001 Carmen revival